The Loot of Cities: Being the Adventures of a Millionaire in Search of Joy (a Fantasia); and Other Stories — John Stuart Mill — John Shaqi
The Loot of Cities: Being the Adventures of a Millionaire in Search of Joy (a Fantasia); and Other Stories
John Stuart Mill · en
“I know all about it, my dear girl,” Cecil silenced her disavowal.
Something moved him to take her hand. She smiled sadly, not resisting.
“You must excuse me,” she murmured. “I’m not myself to-night.... It’s
because of the excitement.... Anyhow, I’m glad you haven’t taken any
‘loot’ this time.”
“But I have,” he protested. (He was surprised to find his voice
trembling.)
“What?”
“This.” He pressed her hand tenderly.
“That?” She looked at her hand, lying in his, as though she had never
seen it before.
“Eve,” he whispered.
* * * * *
About two-thirds of the loot of the Hôtel St. James was ultimately
recovered; not at Sidi Okba, but in the cellars of the Hôtel St. James
itself. From first to last that robbery was a masterpiece of audacity.
Its originator, the _soi-disant_ M. Sylvain, head of the Algiers
detective force, is still at large.
CHAPTER VI.
“LO! ’TWAS A GALA NIGHT!”
Paris. And not merely Paris, but Paris _en fête_, Paris decorated,
Paris idle, Paris determined to enjoy itself, and succeeding
brilliantly. Venetian masts of red and gold lined the gay pavements
of the _grand boulevard_ and the Avenue de l’Opéra; and suspended
from these in every direction, transverse and lateral, hung garlands
of flowers whose petals were of coloured paper, and whose hearts were
electric globes that in the evening would burst into flame. The effect
of the city’s toilette reached the extreme of opulence, for no expense
had been spared. Paris was welcoming monarchs, and had spent two
million francs in obedience to the maxim that what is worth doing at
all is worth doing well.
The Grand Hotel, with its eight hundred rooms full of English and
Americans, at the upper end of the Avenue de l’Opéra, looked down at
the Grand Hôtel du Louvre, with its four hundred rooms full of English
and Americans, at the lower end of the Avenue de l’Opéra. These two
establishments had the best views in the whole city; and perhaps the
finest view of all was that obtainable from a certain second floor
window of the Grand Hotel, precisely at the corner of the Boulevard
des Capucines and the Rue Auber. From this window one could see the
boulevards in both directions, the Opéra, the Place de l’Opéra, the
Avenue de l’Opéra, the Rue du Quatre Septembre, and the multitudinous
life of the vivid thoroughfares--the glittering _cafés_, the dazzling
shops, the painted kiosks, the lumbering omnibuses, the gliding trams,
the hooting automobiles, the swift and careless cabs, the private
carriages, the suicidal bicycles, the newsmen, the toy sellers, the
touts, the beggars, and all the holiday crowd, sombre men and radiant
women, chattering, laughing, bustling, staring, drinking, under the
innumerable tricolours and garlands of paper flowers.