Maggie’s hair, as she threw off her bonnet, painfully confirmed her mother’s accusation. Mrs Tulliver, desiring her daughter to have a curled crop, “like other folks’s children,” had had it cut too short in front to be pushed behind the ears; and as it was usually straight an hour after it had been taken out of paper, Maggie was incessantly tossing her head to keep the dark, heavy locks out of her gleaming black eyes,—an action which gave her very much the air of a small Shetland pony. “Oh, dear, oh, dear, Maggie, what are you thinkin’ of, to throw your bonnet down there? Take it upstairs, there’s a good gell, an’ let your hair be brushed, an’ put your other pinafore on, an’ change your shoes, do, for shame; an’ come an’ go on with your patchwork, like a little lady.” “Oh, mother,” said Maggie, in a vehemently cross tone, “I don’t _want_ to do my patchwork.” “What! not your pretty patchwork, to make a counterpane for your aunt Glegg?” “It’s foolish work,” said Maggie, with a toss of her mane,—“tearing things to pieces to sew ’em together again. And I don’t want to do anything for my aunt Glegg. I don’t like her.” Exit Maggie, dragging her bonnet by the string, while Mr Tulliver laughs audibly. “I wonder at you, as you’ll laugh at her, Mr Tulliver,” said the mother, with feeble fretfulness in her tone. “You encourage her i’ naughtiness. An’ her aunts will have it as it’s me spoils her.” Mrs Tulliver was what is called a good-tempered person,—never cried, when she was a baby, on any slighter ground than hunger and pins; and from the cradle upward had been healthy, fair, plump, and dull-witted; in short, the flower of her family for beauty and amiability. But milk and mildness are not the best things for keeping, and when they turn only a little sour, they may disagree with young stomachs seriously. I have often wondered whether those early Madonnas of Raphael, with the blond faces and somewhat stupid expression, kept their placidity undisturbed when their strong-limbed, strong-willed boys got a little too old to do without clothing. I think they must have been given to feeble remonstrance, getting more and more peevish as it became more and more ineffectual. Chapter III. Mr Riley Gives His Advice Concerning a School for Tom The gentleman in the ample white cravat and shirt-frill, taking his brandy-and-water so pleasantly with his good friend Tulliver, is Mr Riley, a gentleman with a waxen complexion and fat hands, rather highly educated for an auctioneer and appraiser, but large-hearted enough to show a great deal of _bonhomie_ toward simple country acquaintances of hospitable habits. Mr Riley spoke of such acquaintances kindly as “people of the old school.”