The Miller in Eighteenth-Century Virginia: An Account of Mills & the Craft of Milling, as Well as a Description of the Windmill near the Palace in Williamsburg — John Stuart Mill — John Shaqi
The Miller in Eighteenth-Century Virginia: An Account of Mills & the Craft of Milling, as Well as a Description of the Windmill near the Palace in Williamsburg
John Stuart Mill · en
In the anonymous Greek’s footsteps, a Roman named Vitruvius made the
arrangement more flexible by introducing wooden gearing to transmit the
power. Others made further improvements in the slow progress of time
until the watermill was a reasonably efficient and widely used machine.
The Domesday Book, or census of the year 1080, recorded 5,624 mills in
England alone, all operated either by animal or water power.
The identity of the man or men who invented the windmill is also lost in
the mists of antiquity—or at least of the Middle Ages. The earliest
authenticated reference to a windmill in western Europe refers to one
that stood in France about the year 1180. The next known reference dates
from 1191 and concerns a windmill in England. Both were post mills, more
or less like the reconstructed windmill of William Robertson in
Williamsburg. This is the simplest among several types of wind-operated
mills and was the type first adopted in Europe, in England generally,
and in the colonies.
Anyone who has read much poetry cannot fail to realize that a watermill
is by nature a more romantic machine than a windmill. Poets recognize
this as a fact, and perhaps non-poets who have spent some well
remembered moments down by the old mill stream will agree. But this is
not to say that windmills are lacking in emotional appeal and romantic
inspiration. Far from it. As Robert Louis Stevenson wrote:
“There are few merrier spectacles than that of many windmills
bickering together in a breeze over a woody country, their halting
alacrity of movement, their pleasant business of making bread all day
with uncouth gesticulations, their air gigantically human, as of a
creature half alive, put a spirit of romance into the tame landscape.”
[Illustration: _One of the earliest medieval illustrations of a
windmill in England is this brass plaque (here redrawn) in St.
Margaret’s Church, King’s Lynn, Norfolk. It tells the ancient joke
on the good farmer riding to the mill: To relieve his tired horse of
the burden, he carried the sack of grain on his own back! Note that
the mill was a post mill and that it was slightly head sick._]
_PUTTING THE WIND TO WORK_
A post mill, as its name suggests, perches somewhat like a
flagpole-sitter on the end of a sturdy post held upright by a timber
framework. The Laws of Oleron, a breezily worded maritime code adopted
in England about 1314, stated that “some windmills are altogether held
above ground, and have a high ladder; some have their foot in the
ground, being, as people say, well affixed.” In the latter case the
substructure of timber bracing was not above ground, but was buried in a
mound of earth.