Mrs. Ocumpaugh awaited me in her own boudoir on the second floor. As we went up the main staircase I was afforded short glimpses of room after room of varying richness and beauty, among them one so dainty and delicate in its coloring that I presumed to ask if it were that of the missing child. Miss Porter's look as she shook her head roused my curiosity. "I should be glad to see her room," I said. She stopped, seemed to consider the matter for a moment, then advanced quickly and, beckoning me to follow, led me to a certain door which she quietly opened. One look, and my astonishment became apparent. The room before me, while large and sunny, was as simple, I had almost said as bare, as my sister's at home. No luxurious furnishings here, no draperies of silk and damask, no half-lights drawing richness from stained glass, no gleam of silver or sparkle of glass on bedecked dresser or carved mantel. Not even the tinted muslins I had seen in some nurseries; but a plain set of furniture on a plain carpet with but one object of real adornment within the four walls. That was a picture of the Madonna opposite the bed, and that was beautiful. But the frame was of the cheapest--a simple band of oak. Catching Miss Porter's eye as we quietly withdrew, I ventured to ask whose taste this was. The answer was short and had a decided ring of disapproval in it. "Her mother's. Mrs. Ocumpaugh believes in simple surroundings for children." "Yet she dressed Gwendolen like a princess." "Yes, for the world's eye. But in her own room she wore gingham aprons which effectually covered up her ribbons and laces." The motive for all this was in a way evident to me, but somehow what I had just seen did not add to my courage for the coming interview. We stopped at the remotest door of this long hall. As Miss Porter opened it I summoned up all my nerve, and the next moment found myself standing in the presence of the imposing figure of Mrs. Ocumpaugh drawn up in the embrasure of a large window overlooking the Hudson. It was the same window, doubtless, in which she had stood for two nights and a day watching for some sign from the boats engaged in dragging the river-bed. Her back was to me and she seemed to find it difficult to break away from her fixed attitude; for several minutes elapsed before she turned slowly about and showed me her face. When she did, I stood appalled. Not a vestige of color was to be seen on cheek, lip or brow. She was the beautiful Mrs. Ocumpaugh still, but the heart which had sent the hues of life to her features, was beating slow--slow--and the effect was heartbreaking to one who had seen her in her prime and the full glory of her beauty as wife and mother.