The Naples Riviera — John Stuart Mill — John Shaqi
The Naples Riviera
John Stuart Mill · en
We descend by the slopes of Monte Faito in the quiet of the evening,
facing the distant headland of Posilipo and the sunset, where above the
horizon we see collecting thick masses of dark purple cloud, which augur a
stormy morrow. Above us the peak of the Archangel is already wreathed in
garlands of white mist, a sure sign of coming tempest, and it is amid a
lurid light from the sinking sun that we hasten downwards, bending our
steps in the direction of Pozzano, where the form of its convent stands
out sharply defined against the background of the Bay. Night is rapidly
approaching, and in the gathering darkness as we strike the road below the
convent, we can already hear the ominous roaring and seething of the
waters under the cliff, lashed to fury by the first deep breaths of the
coming squall. Hurrying along the broad smooth roadway it is not long
before we reach our hotel door, where we bid good night to Vincenzo, just
as the first heavy drops of rain have begun to fall; pleasantly exhausted
after our long excursion, we are ready to appreciate to the full the
warmth and good cheer of the hospitable Hotel Quisisana.
CHAPTER III
LA CITTÀ MORTA
Pompeii can never be visited without the same haunting conviction, the
same oppressive thought: how terribly difficult it is to understand the
City of the Dead which holds in so small a space the whole secret of the
antique world! There are far more grandiose and impressive ruins to be
seen in Rome; the city of Timgad in Northern Africa is more complete as a
specimen of a Roman settlement than the half-excavated town near Vesuvius;
yet here, and here only, can the men of the past stretch hands, as it
were, across the barrier of eighteen intervening centuries to the dweller
of to-day, and the dead-and-gone spirits of a highly organized
civilization can whisper into the living ears of the twentieth century.
For Pompeii will speak to us, if we will take the trouble to learn the
tongue in which alone she can convey the secret of her story. It is
needless to say that this language is not obtainable by one or two cursory
visits to the Naples Museum, and a few hurried half-hours given to the
contents of the guide-book; no, the language of Pompeii, which constitutes
the key of access to the hidden chambers of the Roman world, can only be
acquired with much expenditure of precious time and with infinite trouble.
But “life is short and time is fleeting,” and our bustling age expects to
seize its required knowledge in the twinkling of an eye; well, in that
case the story of Pompeii must remain a sealed volume to the traveller,
who is conveyed to the City of the Dead in a train crammed with
fellow-tourists; who eats a heavy unwholesome luncheon to the sound of
mandoline-players twanging sprightly Neapolitan airs; and who is finally
piloted round the sacred area by a chattering guide in the oppressive heat
and glare of a sunny afternoon.