The other Miller girl — John Stuart Mill — John Shaqi
The other Miller girl
John Stuart Mill · en
_BY JOSLYN GRAY_
THE OTHER MILLER GIRL
BOUNCING BET
THE JANUARY GIRL
ROSEMARY GREENAWAY
RUSTY MILLER
ELSIE MARLEY, HONEY
KATHLEEN’S PROBATION
_CHARLES SCRIBNER’S SONS_
THE OTHER MILLER GIRL
[Illustration: “I am so sorry ... but we don’t have company, you know.”
[_Page 53_]
THE
OTHER MILLER GIRL
BY
JOSLYN GRAY
NEW YORK
CHARLES SCRIBNER’S SONS
1922
COPYRIGHT, 1922, BY
CHARLES SCRIBNER’S SONS
Printed in the United States of America
[Illustration]
TO
FLORENCE TEMPLETON GRAY
JANUARY 31, 1922
IN MEMORY OF TODDIE
AND THE DAYS BEFORE THE BIRTHDAY
ON WHICH SHE WAS BANISHED
ILLUSTRATIONS
“I am so sorry--but we don’t have company, you know” _Frontispiece_
FACING PAGE
“Please, may I come in? I want to--tell you something” 26
Anna took pride and pleasure in ironing the frills and
laces of his little frocks 124
The echoes of the thundering knocks had hardly died
away ... when Alice Lorraine appeared 216
THE OTHER MILLER GIRL
CHAPTER I
On a pleasant Saturday afternoon of the latter part of the September
following the awarding of the Wadsworth prize, Mr. Langley received
three distinct shocks. The first was occasioned by hearing Miss
Penny referred to as an old lady, and the second, which was almost
simultaneous, by learning that Anna Miller was commonly known as the
‘other Miller girl.’ The third, which was more subtle, was also more
personal and might have wrought real havoc but for the slip of a
yellow-haired girl who was characterised thus negatively. Her discovery
of this third shock to Mr. Langley and the action she took led to such
consequences that if it were the fashion now-a-days to invoke the
muse, this history must needs begin by bidding the goddess sing of the
uncommon sense of the other Miller girl.
The church at Farleigh was a really beautiful building. It was only
an old-fashioned New England meeting-house, but its proportions
were perfect for its style and its pillared portico was almost as
appropriate to its structure and environment as the chaste marble
columns of Greece to their more artistic and romantic setting. It stood
on an height truncated by natural forces to form a plateau and was
surrounded by broad lawns shaded by great English elms and a single
oak-tree.