The Recent Revolution in Organ Building: Being an Account of Modern Developments — John Stuart Mill — John Shaqi
The Recent Revolution in Organ Building: Being an Account of Modern Developments
John Stuart Mill · en
As all these tone producers are enclosed in a thick Swell box, an
artist is able to employ them with as much refinement of effect as is
heard when they are heard in a Symphony Orchestra.
Mr. Hope-Jones informs the writer that he has just invented an electric
action which strikes a blow accurately proportioned to the force
employed in depressing the key, thus obtaining expression from the
fingers as in the pianoforte. He will apply this to the percussion
stops in organs he may build in the future.
When skilfully employed many of these percussion stops blend so
perfectly with the flue and reed pipes that they become an important
integral part of the instrument--not merely a collection of fancy stops
for occasional use.
THE DIAPHONE.
The invention of the Diaphone by Hope-Jones in 1894 will some day be
regarded as the most important step in advance hitherto achieved in the
art of organ building. The existence of patents at present prevents
general adoption of the invention and limits it to the instruments made
by one particular builder. In addition to this the Diaphone takes so
many forms and covers so large a field that time must necessarily pass
before its full possibilities are realized.
Enough was, however, done by Hope-Jones in connection with the organs
he built in England a dozen or eighteen years ago to leave the
experimental stage and prove the invention to be of the greatest
practical importance to the future of organ building. The author's
opinion that before long every new large organ will be built upon the
Diaphone as a foundation, is shared by all who have had opportunity to
judge. By no other means known to-day can anything approaching such
grand and dignified Diapason tone be produced. Were twenty large
Diapasons added to the instrument in Ocean Grove, N. J., or to that in
the Baptist Temple, Philadelphia, and were the Diaphone removed, the
instrument would suffer most seriously. In the Pedal department no
reed or flue pipe can begin to compare with a Diaphone, either in
attack or in volume of tone.
In Figure 23 we give a sectional view of the first large Diaphone made,
namely that constructed for the Hope-Jones organ in Worcester
Cathedral, Eng., 1896.
[Illustration: Fig. 23. Diaphone in Worcester Cathedral, Eng.]
M is a pneumatic motor or bellows to which is attached a rod bearing
the compound and spring valve V, V|1|, working against the spring S.
On the admission of wind (under pressure) to the box A, the motor M is
caused to collapse, and thereby to open the valves V, V|1|. Wind then
rushes into the chamber B, and entering the interior of motor M through
the passage C, equalizes the pressure in the motor. The action of the
springs now serves to close the valves V, V|1|, and to open out the
motor M, whereupon the process is repeated.
[Illustration: Fig. 24. Diaphone in Aberdeen University.]