The Sorrows of Satan: or, The Strange Experience of One Geoffrey Tempest, Millionaire: A Romance
John Stuart Mill · en
I smiled, and went away with my purchase, convinced that I had wasted a
few shillings on a mere piece of woman's trash. If this Mavis Clare was
indeed so 'popular,' then her work must naturally be of the 'penny
dreadful' order, for I, like many another literary man, laboured under
the ludicrous inconsistency of considering the public an 'ass' while I
myself desired nothing so much as the said 'ass's' applause and
approval!--and therefore I could not imagine it capable of voluntarily
selecting for itself any good work of literature without guidance from
the critics. Of course I was wrong; the great masses of the public in
all nations are always led by some instinctive sense of right, that
moves them to reject the false and unworthy, and select the true.
Completely prepared, like most men of my type to sneer and cavil at the
book, chiefly because it was written by a feminine hand, I sat down in a
retired corner of the club reading-room, and began to cut and skim the
pages. I had not read many sentences before my heart sank with a heavy
sense of fear and,--jealousy!--the slow fire of an insidious envy began
to smoulder in my mind. What power had so gifted this author--this mere
_woman_,--that she should dare to write better than I! And that she
should force me, by the magic of her pen to mentally acknowledge, albeit
with wrath and shame, my own inferiority! Clearness of thought,
brilliancy of style, beauty of diction, all these were hers, united to
consummate ease of expression and artistic skill,--and all at once, in
the very midst of reading, such a violent impulse of insensate rage
possessed me that I flung the book down, dreading to go on with it. The
potent, resistless, unpurchaseable quality of Genius!--ah, I was not yet
so blinded by my own conceit as to be unable to recognize that divine
fire when I saw it flashing up from every page as I saw it now; but, to
be compelled to give that recognition to a woman's work, galled and
irritated me almost beyond endurance. Women, I considered, should be
kept in their places as men's drudges or toys--as wives, mothers,
nurses, cooks, menders of socks and shirts, and housekeepers
generally,--what right had they to intrude into the realms of art and
snatch the laurels from their masters' brows! If I could but get the
chance of reviewing this book, I thought to myself savagely!--I would
misquote, misrepresent, and cut it to shreds with a joy too great for
words! This Mavis Clare, 'unsexed,' as I at once called her in my own
mind simply because she had the power I lacked,--wrote what she had to
say with a gracious charm, freedom, and innate consciousness of
strength,--a strength which forced me back upon myself and filled me
with the bitterest humiliation. Without knowing her I hated her,--this
woman who could win fame without the aid of money, and who was crowned
so brightly and visibly to the world that she was beyond criticism. I
took up her book again and tried to cavil at it,--over one or two dainty