The Tinker's Wedding — John Stuart Mill — John Shaqi
The Tinker's Wedding
John Stuart Mill · en
PRIEST
_to Sarah, moving off._—Well, I’ll be coming down early to the chapel,
and let you come to me a while after you see me passing, and bring the
bit of gold along with you, and the tin can. I’ll marry you for them
two, though it’s a pitiful small sum; for I wouldn’t be easy in my soul
if I left you growing into an old, wicked heathen the like of her.
SARAH
_following him out._—The blessing of the Almighty God be on you, holy
father, and that He may reward and watch you from this present day.
MARY
_nudging Michael._—Did you see that, Michael Byrne? Didn’t you hear me
telling you she’s flighty a while back since the change of the moon?
With her fussing for marriage, and she making whisper-talk with one man
or another man along by the road.
MICHAEL
—Whist now, or she’ll knock the head of you the time she comes back.
MARY
—Ah, it’s a bad, wicked way the world is this night, if there’s a fine
air in it itself. You’d never have seen me, and I a young woman, making
whisper-talk with the like of him, and he the fearfullest old fellow
you’d see any place walking the world.
[_Sarah comes back quickly._
MARY
_calling out to her._—What is it you’re after whispering above with
himself?
SARAH
_exultingly._—Lie down, and leave us in peace. _She whispers with
Michael._
MARY
_poking out her pipe with a straw, sings_—
She’d whisper with one, and she’d whisper with two—
_She breaks off coughing._—My singing voice is gone for this night,
Sarah Casey. _(She lights her pipe.)_ But if it’s flighty you are
itself, you’re a grand handsome woman, the glory of tinkers, the pride
of Wicklow, the Beauty of Ballinacree. I wouldn’t have you lying down
and you lonesome to sleep this night in a dark ditch when the spring is
coming in the trees; so let you sit down there by the big bough, and
I’ll be telling you the finest story you’d hear any place from Dundalk
to Ballinacree, with great queens in it, making themselves matches from
the start to the end, and they with shiny silks on them the length of
the day, and white shifts for the night.
MICHAEL
_standing up with the tin can in his hand._—Let you go asleep, and not
have us destroyed.
MARY
_lying back sleepily._—Don’t mind him, Sarah Casey. Sit down now, and
I’ll be telling you a story would be fit to tell a woman the like of
you in the springtime of the year.
SARAH
_taking the can from Michael, and tying it up in a piece of
sacking._—That’ll not be rusting now in the dews of night. I’ll put it
up in the ditch the way it will be handy in the morning; and now we’ve
that done, Michael Byrne, I’ll go along with you and welcome for Tim
Flaherty’s hens.
_[She puts the can in the ditch._
MARY
_sleepily._—I’ve a grand story of the great queens of Ireland with
white necks on them the like of Sarah Casey, and fine arms would hit
you a slap the way Sarah Casey would hit you.
SARAH
_beckoning on the left._—Come along now, Michael, while she’s falling
asleep.