The Trade Signs of Essex: A popular account of the origin and meanings of the public houses & other signs — John Stuart Mill — John Shaqi
The Trade Signs of Essex: A popular account of the origin and meanings of the public houses & other signs
John Stuart Mill · en
It would probably early have suggested itself to the minds of tradesmen
and others to use their own coats of arms (when they had any), or those
of the Trade Guilds to which they belonged, or the arms, crest, or
badge[8] of their landlord or some patron, as a sign. This convenient
custom, once established, would be sure to be largely followed. There
can be no doubt whatever that in this way arose the custom of calling a
house the “So-and-So’s Arms.” At the present time, the custom itself
remains, although its origin has been largely lost sight of; and many
inns have now, in consequence, come to be known as the “Arms” of
persons, trades, places, and things which never did bear, and never
could have borne, a coat of arms. Clearly the origin of the sign of the
KING’S ARMS had never presented itself to the mind of the “simple
clodhopper” who, according to Messrs. Larwood and Hotten (p. 106), “once
walked many miles to see King George IV. on one of his journeys, and
came home mightily disgusted; for the king had arms just like any other
man, while he had always understood that his Majesty’s right arm was a
lion, and his left a unicorn!” In Essex no less than 8·5 per cent. of
all the inn-signs are “Arms” of some kind. In Devonshire “Arms” actually
form as much as 22 per cent. of the whole, according to Mr. Pengelly.
Although the custom of calling a house the “Somebody’s Arms” still
survives, it is probable that, when the knowledge and ordinary use of
Heraldry began to decline, many houses, formerly known as the
“So-and-So’s Arms,” gradually came to be called after the most prominent
charge in the coat, or after the “crest” or one of the “supporters,”[9]
which might have been a _lion gules_, a _boar azure_, a _white hart_,
or a _rose crowned_. The badge, again, has unquestionably given us not a
few signs. Badges were used by the sovereign and by the higher nobility
from the fourteenth to the sixteenth centuries inclusive. They must not
be confounded with _crests_, which were personal emblems, worn on the
crest or helm by leaders in the field. _Badges_, on the other hand, were
household emblems, worn by all the followers and retainers of the lord.
They were always of a simple nature, to be easily distinguishable in
battle, and were placed on armour, standards, clothing, buildings,
furniture, &c., &c. As a rule, therefore, it is the badge, rather than
the crest, or even the coat of arms, which has given us our old heraldic
signs. In some cases badges were adopted by parties, as, for instance,
during the Wars of the Roses, so called because the Yorkists took the
White Rose as their badge, while the Lancastrians took the Red.
Shakespeare often alludes to the old custom of using badges. Mrs. Bury
Palliser,[10] speaking of this subject, says, that “we still find the
cognizance of many an illustrious family preserved as the sign of an
inn. The White Hart of Richard II., the Antelope of Henry IV., the