The Trimmed Lamp, and Other Stories of the Four Million — John Stuart Mill — John Shaqi
The Trimmed Lamp, and Other Stories of the Four Million
John Stuart Mill · en
One of the incoming parcels contained a photograph of a woman. The
other contained an interminable letter, over which Chalmers hung,
absorbed, for a long time. The letter was from another woman; and it
contained poisoned barbs, sweetly dipped in honey, and feathered with
innuendoes concerning the photographed woman.
Chalmers tore this letter into a thousand bits and began to wear out
his expensive rug by striding back and forth upon it. Thus an animal
from the jungle acts when it is caged, and thus a caged man acts when
he is housed in a jungle of doubt.
By and by the restless mood was overcome. The rug was not an enchanted
one. For sixteen feet he could travel along it; three thousand miles
was beyond its power to aid.
Phillips appeared. He never entered; he invariably appeared, like a
well-oiled genie.
“Will you dine here, sir, or out?” he asked.
“Here,” said Chalmers, “and in half an hour.” He listened glumly to the
January blasts making an Aeolian trombone of the empty street.
“Wait,” he said to the disappearing genie. “As I came home across the
end of the square I saw many men standing there in rows. There was one
mounted upon something, talking. Why do those men stand in rows, and
why are they there?”
“They are homeless men, sir,” said Phillips. “The man standing on the
box tries to get lodging for them for the night. People come around to
listen and give him money. Then he sends as many as the money will pay
for to some lodging-house. That is why they stand in rows; they get
sent to bed in order as they come.”
“By the time dinner is served,” said Chalmers, “have one of those men
here. He will dine with me.”
“W-w-which—,” began Phillips, stammering for the first time during his
service.
“Choose one at random,” said Chalmers. “You might see that he is
reasonably sober—and a certain amount of cleanliness will not be held
against him. That is all.”
It was an unusual thing for Carson Chalmers to play the Caliph. But on
that night he felt the inefficacy of conventional antidotes to
melancholy. Something wanton and egregious, something high-flavored and
Arabian, he must have to lighten his mood.
On the half hour Phillips had finished his duties as slave of the lamp.
The waiters from the restaurant below had whisked aloft the delectable
dinner. The dining table, laid for two, glowed cheerily in the glow of
the pink-shaded candles.
And now Phillips, as though he ushered a cardinal—or held in charge a
burglar—wafted in the shivering guest who had been haled from the line
of mendicant lodgers.