The Trimmed Lamp, and Other Stories of the Four Million — John Stuart Mill — John Shaqi
The Trimmed Lamp, and Other Stories of the Four Million
John Stuart Mill · en
“By the chin whiskers of the prophet—no!” answered the guest. “New
York’s as full of cheap Haroun al Raschids as Bagdad is of fleas. I’ve
been held up for my story with a loaded meal pointed at my head twenty
times. Catch anybody in New York giving you something for nothing! They
spell curiosity and charity with the same set of building blocks. Lots
of ’em will stake you to a dime and chop-suey; and a few of ’em will
play Caliph to the tune of a top sirloin; but every one of ’em will
stand over you till they screw your autobiography out of you with foot
notes, appendix and unpublished fragments. Oh, I know what to do when I
see victuals coming toward me in little old Bagdad-on-the-Subway. I
strike the asphalt three times with my forehead and get ready to spiel
yarns for my supper. I claim descent from the late Tommy Tucker, who
was forced to hand out vocal harmony for his pre-digested wheaterina
and spoopju.”
“I do not ask your story,” said Chalmers. “I tell you frankly that it
was a sudden whim that prompted me to send for some stranger to dine
with me. I assure you you will not suffer through any curiosity of
mine.”
“Oh, fudge!” exclaimed the guest, enthusiastically tackling his soup;
“I don’t mind it a bit. I’m a regular Oriental magazine with a red
cover and the leaves cut when the Caliph walks abroad. In fact, we
fellows in the bed line have a sort of union rate for things of this
sort. Somebody’s always stopping and wanting to know what brought us
down so low in the world. For a sandwich and a glass of beer I tell ’em
that drink did it. For corned beef and cabbage and a cup of coffee I
give ’em the hard-hearted-landlord—six-months-in-the-hospital-lost-job
story. A sirloin steak and a quarter for a bed gets the Wall Street
tragedy of the swept-away fortune and the gradual descent. This is the
first spread of this kind I’ve stumbled against. I haven’t got a story
to fit it. I’ll tell you what, Mr. Chalmers, I’m going to tell you the
truth for this, if you’ll listen to it. It’ll be harder for you to
believe than the made-up ones.”
An hour later the Arabian guest lay back with a sigh of satisfaction
while Phillips brought the coffee and cigars and cleared the table.
“Did you ever hear of Sherrard Plumer?” he asked, with a strange smile.
“I remember the name,” said Chalmers. “He was a painter, I think, of a
good deal of prominence a few years ago.”
“Five years,” said the guest. “Then I went down like a chunk of lead.
I’m Sherrard Plumer! I sold the last portrait I painted for $2,000.
After that I couldn’t have found a sitter for a gratis picture.”
“What was the trouble?” Chalmers could not resist asking.