The Voice of the City: Further Stories of the Four Million — John Stuart Mill — John Shaqi
The Voice of the City: Further Stories of the Four Million
John Stuart Mill · en
Alicia, cool in the summer heat as an Arctic wraith, white as a
Norse snow maiden in her flimsy muslin and fluttering lace parasol,
came round the corner of the station; and Tom was stripped of his
assurance. He became chiefly eyesight clothed in blue jeans, and on
the homeward drive to the mule alone did he confide in language the
inwardness of his thoughts.
They drove homeward. The low sun dropped a spendthrift flood of gold
upon the fortunate fields of wheat. The cities were far away. The
road lay curling around wood and dale and hill like a ribbon lost
from the robe of careless summer. The wind followed like a whinnying
colt in the track of Phoebus's steeds.
By and by the farmhouse peeped gray out of its faithful grove; they
saw the long lane with its convoy of walnut trees running from the
road to the house; they smelled the wild rose and the breath of cool,
damp willows in the creek's bed. And then in unison all the voices of
the soil began a chant addressed to the soul of Robert Walmsley. Out
of the tilted aisles of the dim wood they came hollowly; they chirped
and buzzed from the parched grass; they trilled from the ripples
of the creek ford; they floated up in clear Pan's pipe notes from
the dimming meadows; the whippoorwills joined in as they pursued
midges in the upper air; slow-going cow-bells struck out a homely
accompaniment--and this was what each one said: "You've found your
way back at last, have you?"
The old voices of the soil spoke to him. Leaf and bud and blossom
conversed with him in the old vocabulary of his careless youth--the
inanimate things, the familiar stones and rails, the gates and
furrows and roofs and turns of the road had an eloquence, too, and a
power in the transformation. The country had smiled and he had felt
the breath of it, and his heart was drawn as if in a moment back to
his old love. The city was far away.
This rural atavism, then, seized Robert Walmsley and possessed him. A
queer thing he noticed in connection with it was that Alicia, sitting
at his side, suddenly seemed to him a stranger. She did not belong
to this recurrent phase. Never before had she seemed so remote, so
colorless and high--so intangible and unreal. And yet he had never
admired her more than when she sat there by him in the rickety spring
wagon, chiming no more with his mood and with her environment than
the Matterhorn chimes with a peasant's cabbage garden.