The wooing of Leola — John Stuart Mill — John Shaqi
The wooing of Leola
John Stuart Mill · en
“Look in my face; my name is Might-have-been;
I am also called No-more, Too-late, Farewell.
Unto thine ear I hold the dead-sea shell.
Cast up thy Life’s foam-fretted feet between;
Unto thine eyes the glass where that is seen
Which had Life’s form and Love, but by my spell
Is now a shaken shadow intolerable.”
But “time does not stop for tears,” and the days and months rolled
away and brought round golden June again, so that it was a year since
Leola had ridden out so joyfully on Rex to meet her fate in Chester
Olyphant’s dark blue eyes.
They were in Paris now, and everyone knows how charming Paris is in
June, but somehow Leola’s thoughts turned backward to the West Virginia
hills that she had vowed she never cared to see again--turned back with
a strange homesickness to the wild and picturesque scenes where her
joyous youth had been nurtured, to the old faces, the old pleasures,
and she thought that she should like to get on Rex’s back again for
a breezy canter into the country town, or on to the old Blue Sulphur
Spring for a draught of its cold, clear, sparkling water.
She could close her eyes and see just how it was looking, after the
long, cold winter, in its new summer gown of green, trimmed with
violets, blue and white--that dear old hillside back of the house; and
the orchard would be decked in pink and white, and the birds would be
singing like mad in the branches, and the sky would be blue and sunny,
and the sweet air seem like an elixir of life.
She opened her eyes, and she was in Paris again, and she had in her
hand a memorandum for the shopping she was going to do that week--gowns
and laces and jewels, to deck that wonderful beauty, to set off, like
a splendid frame, the peerless form, the flowerlike face, with its
somber dark eyes and thick waves of ruddy golden hair--the Titian shade
artists raved over.
Her father had had her portrait painted--full length, and all in
white--and all Paris had raved over it when the artist had it on
exhibition those few days before it was boxed to be shipped to America.
She had made many friends, been entertained at the homes of the rich
and great, had refused dazzling offers to the wonder of all, and here
she was, all at once, with a fit of nostalgia for the simple home and
kindly faces that were gone out of her life forever--or so she thought.
She had often thought of the new Mrs. Bennett, wondering if her simple
devotion had ever won her rotund husband’s heart, but she had never
written her a line in her eagerness to forget the grief over those last
days, and put them behind her forever.
Now she thought, tenderly, of the good woman, murmuring:
“How strange it seems I have never heard one word from all I left
behind! Some of them may be dead, some married--Jessie and Chester,
of course, long ago--but there are few I care for save my dear old
governess and Mrs. Gray!”