Through the mill: The life of a mill-boy — John Stuart Mill — John Shaqi
Through the mill: The life of a mill-boy
John Stuart Mill · en
“My,” commented aunt, with the old bitterness in her tone, “the fools!
Parading afore us to let us see that _they_ can have a good time of it!”
Our dark home had a more miserable aspect about it than ever when we
got back. “Get right up to bed,” commanded aunt, “there’s no coal to
waste. You can keep warm there!” and though her manner of saying it was
rough, yet I heard a catch in her voice, and then she burst into tears.
“Never mind, Aunt Millie,” I comforted, “uncle will write, I feel
sure!” She looked up, startled, and seemed ashamed that I had found her
crying and had struck her thought so.
“Who’s whimpering?” she cried fiercely. “Mind your business!” But I
noticed that when she came in my room that night and thought me asleep,
when in reality I was keeping my ears open for the carols, she kissed
me very tenderly and crept away silently.
When the carols first strike a sleeping ear, one imagines that the
far-away choirs of Heaven are tuning up for the next day’s chorus
before God. The first notes set such dreams a-spinning as are full of
angels and ethereal thoughts. Then the ear becomes aware of time and
place, and seizes upon the human note that may be found in Christmas
carols when they are sung by mill people at midnight in winter weather.
Then the ear begins to distinguish between this voice and that, and to
follow the bass that tumbles up and down through the air. Then there
is a great crescendo when the singers are right under one’s window,
and the words float into the chamber, each one winged with homely,
human tenderness and love. So I was awakened by the carol singers that
Christmas night. The first tune sung for us was, “Christians Awake,”
and when its three verses had awakened us, and we had gone to the
window to look down on the group, “Hark! the Herald Angels Sing,” was
followed by a soaring adaptation of Coronation. It was a group of about
fifteen. There were Old Bill Scroggs with his concertina, Harry Mills
with his ’cello, and Erwind Nichols with his flute. Torvey was there,
though he could not sing. He carried the lantern, caught the money
that was dropped into his hat from the windows, and kept the young men
and women from too much chattering as they approached the different
stands. When they had finished their anthems, aunt called from the
window, “Happy Christmas good folks. It was kind of you to remember us
so. It’s real good.” Old Torvey answered back, “Merry Christmas, Mrs.
Brindin. We must get along.” Then the crowd sent up a confused “Merry
Christmas,” and passed on.
Then it was back to bed again to sleep until awakened by an unnatural
pounding on our door below. “What is it, aunt?” I cried. “I don’t
know,” she answered. “Put on your clothes and get down before they
break in the door!” I dressed hurriedly, inserted the massive iron key
in the lock, gave it a turn only to have the door thrust open wide by
Old Torvey, who cried excitedly, as he waved a letter in the air, “It’s
from Hammerica, from him!”