While we sat watching the hermit's nest, we were attracted by another resident of that cozy group of hemlocks and maples. He appeared upon a low shrub within twenty feet of us, and began to sing. First came a long, deliberate note of the clearest and sweetest tone, then two similar notes, a third higher, followed by three triplets on the same note. Though dressed in sparrow garb, his colors were bright, and he was distinguished and made really beautiful by two broad lines of buff-tinted white over his crown, and a snowy white throat. He was the white-throated sparrow, one of the largest and most interesting of his family. The charm of his song is its clearness of tone and deliberateness of utterance. It is calm as the morning, finished, complete, and almost the only bird song that can be perfectly imitated by a human whistle. I never shared the enthusiasm of some of my fellow bird-lovers for the sparrows till I knew the white-throat and learned to love the dear little song sparrow. It is unfortunate that the song of the former has been translated into a word so unworthy as "peabody," and that the name "peabody bird" has become fastened on him in New England. Far more appropriate the words applied by Elizabeth Akers Allen to an unknown singer,--possibly this very bird,--embodied in her beautiful poem "The Sunset Thrush." For whatever bird it was intended, the syllables and arrangement correspond to the white-throat's utterance, and the words are, "Sweet! sweet! sweet! Sorrowful! sorrowful! sorrowful!" A white-throat who haunted the neighborhood of my farmhouse did not confine himself to the family song; which, by the way, varies less with this species than with any other I know. At first, for some time, he entirely omitted the triplets, making his song consist of four long notes, the fourth being in place of the triplets. Then, later, he dropped the last note a half tone below the others, still omitting the triplets, which, in fact, in three or four weeks of listening and watching, I never once heard him utter. In July of that year, in passing over the Canadian Pacific Railway on my way West, I heard innumerable songs by this bird. Every time the train stopped, white-throat voices rang out on all sides, and with considerable variety. Many dropped half a tone at the end, and some uttered the triplets on that note, while others began the song on a higher note, and gave the rest a third below, instead of above, as usual. [Sidenote: _FINDING BIRDS'-NESTS._]