Viola's vanity : $b or, A bitter expiation — John Stuart Mill — John Shaqi
Viola's vanity : $b or, A bitter expiation
John Stuart Mill · en
XLI “After Long Grief and Pain.” 234
VIOLA’S VANITY
CHAPTER I.
“LIGHTLY WON IS LIGHTLY LOST.”
When the viols played their best,
Lamps above and laughs below,
“Love me,” sounded like a jest,
Fit for _yes_ or fit for _no_.
--MRS. BROWNING.
In the early spring of 1896, the morning papers of Washington, and
afterwards every journal of any consequence in the United States, one
day contained the following news item under the glaring headlines:
SOCIETY BELLE ELOPES.
VAGARIES OF A BEAUTY.
The Daughter of a High Government Official in Washington, Chief of
an Important Bureau.--The Handsomest Girl in Society.--A Charming
Coquette, Who Has Refused Scores of Eligibles, Jilts a Distinguished
Member of Congress on the Very Eve of Her Bridal for the Sake of a
Poor Young Journalist, Rolfe Maxwell, Whom She Secretly Preferred.
Fashionable society, which expected to get on its best togs today for
the grand noon wedding of Congressman Desha and the lovely Miss Viola
Van Lew, will stand aghast at learning that the marriage is off.
The young beauty, assuming the prerogative of woman to change her
mind, left her prospective bridegroom in the lurch last evening, and
eloped with a poor young man not in her set.
The marriage ceremony was solemnized last night at the rectory of
All Souls’ Church by the genial rector, from whom these facts were
gleaned by our reporter. It is understood that the jilted bridegroom
is _désolé_, and the astonished father furious and unforgiving, but as
the eloping bride inherits on her marriage the fortune of her deceased
mother, she can afford to snap her jeweled fingers in papa’s irate
face.
Behind this flippant announcement lay a thrilling romance of beauty,
coquetry, love, and pride that may interest the amiable reader whose
heart is yet young and warm enough to admire the good traits, excuse
the follies, and sympathize with the dire misfortunes of a beautiful,
thoughtless young girl.
If there was any excuse in the world for what Viola did, it lay in her
youth and her thoughtlessness, and because she did not understand at
all what a terrible force love is at its best or worst.
She had only heard of the grand passion in its lightest phases as it is
pictured by merry young school-girls boasting to each other of their
conquests, and it was plain to be seen that “the one with the most
strings to her bow” was more envied than any other. They made “nets,
not cages.”
She had the tenderest heart in the world. She would not have injured
the smallest living thing, yet she had never heard that love is a
flame that burns, and that one may carry its scars to the grave. They
should have taught her that, those who guided her young life, for she
had the fatal gift of beauty coupled with that subtle fascination that
draws men’s hearts as plants turn their leaves to the sun.