Voice production in singing and speaking, based on scientific principles — John Stuart Mill — John Shaqi
Voice production in singing and speaking, based on scientific principles
John Stuart Mill · en
It will be understood that I speak only of the technique. For art
there must be more than technique, but there is no art without good
methods of execution, which constitute technique. The latter is
nothing more than method--manner of performance. Behind these methods
of performance, or the simplest part of them, there must be some idea.
The more intelligent the student, speaker or singer, as to his art and
generally, the better for the teacher who instructs scientifically,
though such intelligence is largely lost to the teacher who depends on
tradition and pure imitation. In the present work I shall be so
concerned with the physical that I shall be able only to refer briefly
to the part that intelligence and feeling play in the result.
The qualifications for the successful treatment of vocal
physiology--that is, such a discussion of the subject as shall lead to
a clear comprehension of the nature of the principles involved, and
place them on a practical foundation, make them at once usable in
actual study and in teaching--such qualifications are many, and, in
their totality and in an adequate degree, difficult to attain. After
more than twenty years of the best study I could give to this subject
in both a theoretical and a practical manner, I feel that I have
something to say which may be useful to a large class, and, so far as
I know, that is my reason for writing this book.
For myself music is indispensable. The one instrument we all possess
is a voice-mechanism. I am one of those who regret that so little
attention is paid, especially in America, to pleasing and expressive
use of the voice in ordinary conversation. Yet how much pleasure
cannot a beautiful speaking voice convey! The college undergraduate
rarely finds vocal study among the requirements, in spite of the fact
that the voice is an instrument that he will use much more than the
pen. The truth is, the home methods of voice-production are those we
are most likely to carry with us through life, and, unfortunately,
little attention is given to the subject.