Here was born in 1607 that popular idol of the Dutch, Admiral de Ruyter, the son of a rope maker, although his mother, whose name he assumed, happened to be of noble birth. De Ruyter flourished at a particularly favorable time in the middle of the seventeenth century, when the navigation acts passed by Cromwell placed unbearable restrictions on trade with Holland. The ensuing war with England called into play de Ruyter’s talents, and a large majority of the thirteen great naval battles fought within a period of sixteen months were won by the Dutch. It was not, however, until a later war with England that de Ruyter performed his principal and culminating achievement. In 1667, at the age of sixty, he mustered his fleet and forced a fairway up the Thames to the very gates of London herself, demolishing fortifications and shipping as he went, and plunging London into a panic. Flushing, too, was the scene of embarkation of the unhappy Charles V in 1556, and of Philip II three years later, neither of whom ever returned. As you look out upon the Scheldt from your coign of vantage at the top of Long John you can almost picture the scene on the deck of the vessel when Philip denounced the Prince of Orange as having thwarted his plans, declaring the innocent William an ingrate, and doubtless a host of other names unfit for publication. It was Flushing that first hoisted the ensign of liberty against the Spaniard, Alva, and it was Flushing, during the Napoleonic wars of 1809, that the English fleet, with the ultimate capture of Antwerp at heart, bombarded so vigorously that the magnificent Town Hall, a couple of churches, and no less than two hundred private houses were razed to the ground. [Illustration: Looking down over the roofs of Middelburg from the bell tower of Long John. From here one can see most of the Island of Walcheren] From Long John one can see plainly the towns on the north and west coasts of Walcheren, and often even the spires of Antwerp are visible, while directly below--a mass of red roofs punctured here and there with patches of trees--stretches Middelburg. To the left is the market place, bounded on the north by the handsome Town Hall begun in the sixteenth century, the embellishment of whose façade by twenty-five ancient statues of the counts and countesses of Holland helps it to hold its place as one of the finest and most interesting late-Gothic edifices in the Netherlands. The tower of the Town Hall has a chime, too, and each time after Long John so insistently proclaims the hour of the day or night--for Long John takes the credit of giving standard time to Middelburg--it must get a bit on his nerves to have “Foolish Betsy” (_Gekke Betje_), up in the Town Hall tower, rattle off her cacophonous contradiction a minute or two earlier, or later, as the case may be.