Human, All-Too-Human: A Book for Free Spirits, Part 2
Nietzsche · en
the entire German philosophy, starting from Kant, with all its French,
English, and Italian offshoots and by-products? A semi-theological attack
upon Helvetius, a rejection of the slowly and laboriously acquired views
and signposts of the right road, which in the end he collected and
expressed so well. To this day Helvetius is the best-abused of all good
moralists and good men in Germany.
217.
CLASSIC AND ROMANTIC.—Both classically and romantically minded spirits—two
species that always exist—cherish a vision of the future; but the former
derive their vision from the strength of their time, the latter from its
weakness.
218.
THE MACHINE AS TEACHER.—Machinery teaches in itself the dovetailed working
of masses of men, in activities where each has but one thing to do. It is
the model of party organisations and of warfare. On the other hand, it
does not teach individual self-glorification, for it makes of the many a
machine, and of each individual a tool for one purpose. Its most general
effect is to teach the advantage of centralisation.
219.
UNABLE TO SETTLE.—One likes to live in a small town. But from time to time
just this small town drives us out into bare and lonely Nature, especially
when we think we know it too well. Finally, in order to refresh ourselves
from Nature, we go to the big town. A few draughts from this cup and we
see its dregs, and the circle begins afresh, with the small town as
starting-point.—So the moderns live; they are in all things rather too
thorough to be able to settle like the men of other days.
220.
REACTION AGAINST THE CIVILISATION OF MACHINERY.—The machine, itself a
product of the highest mental powers, sets in motion hardly any but the
lower, unthinking forces of the men who serve it. True, it unfetters a
vast quantity of force which would otherwise lie dormant. But it does not
communicate the impulse to climb higher, to improve, to become artistic.
It creates activity and monotony, but this in the long-run produces a
counter-effect, a despairing ennui of the soul, which through machinery
has learnt to hanker after the variety of leisure.
221.