Overtones, a book of temperaments : $b Richard Strauss, Parsifal, Verdi, Balzac, Flaubert, Nietzsche, and Turgénieff — Nietzsche — John Shaqi
Overtones, a book of temperaments : $b Richard Strauss, Parsifal, Verdi, Balzac, Flaubert, Nietzsche, and Turgénieff
Nietzsche · en
To keep her soul he said she must fly from the city, where men
lose their souls in the rituals of materialism. He must go with
her to the pure country, to the woods and to the places where the
invisible ones whom the Druids knew ceaselessly ascend and descend
from earth to heaven, and from heaven to earth, in flame-colored
spirals. He told her he knew of a house by a lake shore, and there
they might live in communion with nature, and in the fading lights,
and in the quiet hollows of the woods she would learn more of God
than she could in the convent. In that house they would live; and
their child, if the gods gave them one, would unfold among the
influences of music and love and song traditions.
It was writing of a similar order in Mildred Lawson that evoked from
Harry Thurston Peck the declaration: “George Moore is the greatest
literary artist who has struck the chords of English since the death
of Thackeray.” George Moore always had the voice. He has now both
voice and vision.
V
ANARCHS OF ART
A SONNET BY CAMPANELLA
The people is a beast of muddy brain
That knows not its own strength, and therefore stands
Loaded with wood and stone; the powerless hands
Of a mere child guide it with bit and rein;
One kick would be enough to break the chain.
But the beast fears, and what the child demands
It does; nor its own terror understands,
Confused and stupefied by bugbears vain.
Most wonderful! With its own hand it ties
And gags itself—gives itself death and war
For pence doled out by kings from its own store.
Its own are all things between earth and heaven;
But this it knows not; and if one arise
To tell this truth, it kills him unforgiven.
—_Translated by_ JOHN ADDINGTON SYMONDS.