Overtones, a book of temperaments : $b Richard Strauss, Parsifal, Verdi, Balzac, Flaubert, Nietzsche, and Turgénieff — Nietzsche — John Shaqi
Overtones, a book of temperaments : $b Richard Strauss, Parsifal, Verdi, Balzac, Flaubert, Nietzsche, and Turgénieff
Nietzsche · en
It is in Also sprach Zarathustra that the genius of Nietzsche is
best studied. Like the Buddhistic Tripitaka, it is a book of highly
colored Oriental aphorisms, interrupted by lofty lyric outbursts.
It is an ironic, enigmatic rhetorical rhapsody, the Third Part of a
half-mad Faust. In it may be seen flowing all the currents of modern
cultures and philosophies, and if it teaches anything at all, it
teaches the wisdom and beauty of air, sky, waters, and earth, and
of laughter, not Pantagruelian, but “holy laughter.” The love of
earth is preached in rapturous accents. A Dionysian ecstasy anoints
the lips of this latter-day Sibyl on his tripod, when he speaks of
earth. He is intoxicated with the fulness of its joys. No gloomy
monasticism, no denial of the will to live, no futile thinking about
thinking,—so despised by Goethe,—no denial of grand realities, may be
found in the curriculum of this Bacchantic philosopher. A Pantheist,
he is also a poet and seer like William Blake, and marvels at the
symbol of nature, “the living garment of the Deity”—Nietzsche’s
deity, of course. It is this realistic, working philosophy—if
philosophy it be in the academic sense—that has endeared Nietzsche
to the newer generation, that has set his triumphant standard on the
very threshold of the new century. After the metaphysical cobweb
spinners, the Hegels, Fichtes, Schellings, after the dreary pessimism
of the soured Schopenhauer,—whose pessimism was temperamental,
as is all pessimism, so James Sully has pointed out,—after many
negations and stumblings, the vigorous affirmations of this Nihilist
are stimulating, suggestive, refreshing, especially in Germany, the
stronghold of philosophical and sentimental Philistinism. Not reward,
but the sheer delight of living, of conquering self, of winning
victories in the teeth of defeat,—thus spake the wisdom of Nietzsche.
For English-speaking readers the many attacks on Nietzsche have
placed the philosopher under the cloud of a peculiar misconception.
Viciously arguing that a man in a madhouse could only produce a
mad philosophy, his assailants forgot that it was Nietzsche’s very
intensity of mental vision, his phenomenal faculty of attention, his
hopeless attempt to square the circle of things human, that brought
about his sad plight. If he had not thought so madly, so strenuously,
if he had put to slumber his irritable conscience, his insatiable
curiosity, with current anodynes, Nietzsche might have been alive
to-day.