Prophets of Dissent : Essays on Maeterlinck, Strindberg, Nietzsche and Tolstoy — Nietzsche — John Shaqi
Prophets of Dissent : Essays on Maeterlinck, Strindberg, Nietzsche and Tolstoy
Nietzsche · en
These incidents in themselves are not necessarily miraculous. There are
none of them but might be accounted for on perfectly natural grounds. In
fact, very plausible explanations do offer themselves for the weirdest
things that come to pass. So, especially, it was a real, ordinary mower
that chanced to whet his scythe; yet the apparition of the Old Reaper in
person could not cause the chilling consternation produced by this
trivial circumstance coming as it does as the climax of a succession of
commonplace happenings exaggerated and distorted by a fear-haunted
imagination. To produce an effect like that upon an audience whose
credulity refuses to be put to any undue strain is a victorious proof of
prime artistic ability.
_Les Aveugles_ ("The Sightless"), (1891), is pitched in the same
psychological key. The atmosphere is surcharged with unearthly
apprehension. A dreary twilight--in the midst of a thick forest--on a
lonely island; twelve blind people fretting about the absence of their
guardian. He is gone to find a way out of the woods--what can have
become of him? From moment to moment the deserted, helpless band grows
more fearstricken. The slightest sound becomes the carrier of evil
forebodings: the rustling of the foliage, the flapping of a bird's
wings, the swelling roar of the nearby sea in its dash against the
shore. The bell strikes twelve--they wonder is it noon or night? Then
questions, eager and calamitous, pass in whispers among them: Has the
leader lost his way? Will he never come back? Has the dam burst apart
and will they all be swallowed by the ocean? The pathos is greatly
heightened by an extremely delicate yet sure individuation of the
figures, as when at the mention of Heaven those not sightless from birth
raise their countenance to the sky. And where in the meanwhile is the
lost leader? He is seated right in their midst, but smitten by death.
They learn it at last through the actions of the dog; besides whom--in
striking parallel to "Princess Maleine"--the only other creature able to
see is a little child. The horror-stricken unfortunates realize that
they can never get home, and that they must perish in the woods.