Prophets of Dissent : Essays on Maeterlinck, Strindberg, Nietzsche and Tolstoy — Nietzsche — John Shaqi
Prophets of Dissent : Essays on Maeterlinck, Strindberg, Nietzsche and Tolstoy
Nietzsche · en
To those readers who are not disposed to grant the validity of the
explanations I have offered, perhaps equality of rank in artistic
importance may seem a sufficient criterion for the association of
authors, and, apart from all sociologic and philosophic considerations,
they may be willing to accept my somewhat arbitrary selection on this
single count.
O. H.
April, 1918.
CONTENTS
PAGE
I Maurice Maeterlinck: a study in Mysticism 3
II August Strindberg: a study in Eccentricity 71
III Friedrich Nietzsche: a study in Exaltation 109
IV Leo Tolstoy: a study in Revivalism 161
I
THE MYSTICISM OF MAURICE MAETERLINCK
Under the terrific atmospheric pressure that has been torturing the
civilization of the entire world since the outbreak of the greatest of
wars, contemporary literature of the major cast appears to have gone
into decline. Even the comparatively few writers recognized as
possessing talents of the first magnitude have given way to that
pressure and have shrunk to minor size, so that it may be seriously
questioned, to say the least, whether during the past forty months or so
a single literary work of outstanding and sustained grandeur has been
achieved anywhere. That the effect of the universal embattlement upon
the art of letters should be, in the main, extremely depressing, is
quite natural; but the conspicuous loss of breadth and poise in writers
of the first order seems less in accordance with necessity,--at least
one might expect a very superior author to rise above that necessity. In
any case it is very surprising that it should be a Belgian whose
literary personality is almost unique in having remained exempt from the
general abridgment of spiritual stature.
It is true that Maurice Maeterlinck, the most eminent literary figure in
his sadly stricken country and of unsurpassed standing among the
contemporary masters of French letters, has, since the great
catastrophe, won no new laurels as a dramatist; and that in the other
field cultivated by him, that of the essay, his productiveness has been
anything but prolific. But in his case one is inclined to interpret
reticence as an eloquent proof of a singularly heroic firmness of
character at a time when on both sides of the great divide which now
separates the peoples, the cosmopolitan trend of human advance has come
to a temporary halt, and the nations have relapsed from their
laboriously attained degree of world-citizenship into the homelier, but
more immediately virtuous, state of traditional patriotism.