The Case of Wagner: Complete Works, Volume 8 — Nietzsche — John Shaqi
The Case of Wagner: Complete Works, Volume 8
Nietzsche · en
My greatest preoccupation hitherto has been the problem of _decadence,_
and I had reasons for this. "Good and evil" form only a playful
subdivision of this problem. If one has trained one's eye to detect
the symptoms of decline, one also understands morality,--one
understands what lies concealed beneath its holiest names and tables
of values: _e.g., impoverished_ life, the will to nonentity, great
exhaustion. Morality _denies_ life.... In order to undertake such a
mission I was obliged to exercise self-discipline:--I had to side
against all that was morbid in myself including Wagner, including
Schopenhauer, including the whole of modern _humanity._--A profound
estrangement, coldness and soberness towards all that belongs to my
age, all that was contemporary: and as the highest wish, Zarathustra's
eye, an eye which surveys the whole phenomenon--mankind--from an
enormous distance,--which look down upon it.--For such a goal--what
sacrifice would not have been worth while? What "self-mastery"! What
"self-denial"!
The greatest event of my life took the form of a _recovery._ Wagner
belongs only to my diseases.
Not that I wish to appear ungrateful to this disease. If in this essay
I support the proposition that Wagner is _harmful,_ I none the less
wish to point out unto whom, in spite of all, he is indispensable--to
the philosopher. Anyone else may perhaps be able to get on without
Wagner: but the philosopher is not free to pass him by. The philosopher
must be the evil conscience of his age,--but to this end he must
be possessed of its best knowledge. And what better guide, or more
thoroughly efficient revealer of the soul, could be found for the
labyrinth of the modern spirit than Wagner? Through Wagner modernity
speaks her most intimate language: it conceals neither its good nor
its evil; it has thrown off all shame. And, conversely, one has almost
calculated the whole of the value of modernity once one is clear
concerning what is good and evil in Wagner. I can perfectly well
understand a musician of to-day who says: "I hate Wagner but I can
endure no other music." But I should also understand a philosopher who
said: "Wagner is modernity in concentrated form." There is no help for
it, we must first be Wagnerites....
THE CASE OF WAGNER
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