The Case of Wagner: Complete Works, Volume 8 — Nietzsche — John Shaqi
The Case of Wagner: Complete Works, Volume 8
Nietzsche · en
points of view which cannot be circumvented either with arguments or
counter-arguments. One cannot refute Christianity: it is impossible to
refute a diseased eyesight. That people should have combated pessimism
as if it had been a philosophy, was the very acme of learned stupidity.
The concepts "true" and "untrue" do not seem to me to have any sense in
optics.--That, alone, which has to be guarded against is the falsity,
the instinctive duplicity which _would fain_ regard this antithesis as
no antithesis at all: just as Wagner did,--and his mastery in this
kind of falseness was of no mean order. To cast side-long glances at
master-morality, at _noble_ morality (--Icelandic saga is perhaps the
greatest documentary evidence of these values), and at the same time to
have the opposite teaching, the "gospel of the lowly," the doctrine of
the _need_ of salvation, on one's lips!... Incidentally, I admire the
modesty of Christians who go to Bayreuth. As for myself, I could _not_
endure to hear the sound of certain words on Wagner's lips. There are
some concepts which are too good for Bayreuth.... What? Christianity
adjusted for female Wagnerites, perhaps _by_ female Wagnerites--for,
in his latter days Wagner was thoroughly _feminini generis--?_ Again I
say, the Christians of to-day are too modest for me,... If Wagner were
a Christian, then Liszt was perhaps a Father of the Church!--The need
of _salvation,_ the quintessence of all Christian needs, has nothing in
common with such clowns: it is the most straightforward expression of
decadence, it is the most convincing and most painful affirmation of
decadence, in sublime symbols and practices. The Christian wishes _to
be rid_ of himself. _Le mot est toujours haïssable._ Noble morality,
master-morality, on the other hand, is rooted in a triumphant saying of
yea to _one's self,_--it is the self-affirmation and self-glorification
of life; it also requires sublime symbols and practices; but only
"because its heart is too full." The whole of beautiful art and of
great art belongs here: their common essence is gratitude. But we must
allow it a certain instinctive repugnance _to décadents,_ and a scorn
and horror of the latter's symbolism: such things almost prove it.
The noble Romans considered Christianity as a _fœda superstitio_:
let me call to your minds the feelings which the last German of noble
taste--Goethe--had in regard to the cross. It is idle to look for more
valuable, more _necessary_ contrasts....[8]