The Genealogy of Morals: The Complete Works, Volume Thirteen, edited by Dr. Oscar Levy. — Nietzsche — John Shaqi
The Genealogy of Morals: The Complete Works, Volume Thirteen, edited by Dr. Oscar Levy.
Nietzsche · en
Enough, that after this vista had disclosed itself to me, I myself had
reason to search for learned, bold, and industrious colleagues (I am
doing it even to this very day). It means traversing with new clamorous
questions, and at the same time with new eyes, the immense, distant,
and completely unexplored land of morality--of a morality which has
actually existed and been actually lived! and is this not practically
equivalent to first _discovering_ that land? If, in this context, I
thought, amongst others, of the aforesaid Dr. Rée, I did so because I
had no doubt that from the very nature of his questions he would be
compelled to have recourse to a truer method, in order to obtain his
answers. Have I deceived myself on that score? I wished at all events
to give a better direction of vision to an eye of such keenness, and
such impartiality. I wished to direct him to the real _history of
morality_, and to warn him, while there was yet time, against a world
of English theories that culminated in _the blue vacuum of heaven_.
Other colours, of course, rise immediately to one's mind as being a
hundred times more potent than blue for a genealogy of morals:--for
instance, grey, by which I mean authentic facts capable of definite
proof and having actually existed, or, to put it shortly, the whole
of that long hieroglyphic script (which is so hard to decipher) about
the past history of human morals. This script was unknown to Dr. Rée;
but he had read Darwin:--and so in his philosophy the Darwinian beast
and that pink of modernity, the demure weakling and dilettante, who
"bites no longer," shake hands politely in a fashion that is at least
instructive, the latter exhibiting a certain facial expression of
refined and good-humoured indolence, tinged with a touch of pessimism
and exhaustion; as if it really did not pay to take all these things--I
mean moral problems--so seriously. I, on the other hand, think that
there are no subjects which pay better for being taken seriously; part
of this payment is, that perhaps eventually they admit of being taken
gaily. This gaiety indeed, or, to use my own language, this joyful
wisdom, is a payment; a payment for a protracted, brave, laborious, and
burrowing seriousness, which, it goes without saying, is the attribute
of but a few. But on that day on which we say from the fullness of our
hearts, "Forward! our old morality too is fit material for Comedy,"
we shall have discovered a new plot, and a new possibility for the
Dionysian drama entitled The Soul's Fate--and he will speedily utilise
it, one can wager safely, he, the great ancient eternal dramatist of
the comedy of our existence.
8.