The Philosophy of Friedrich Nietzsche — Nietzsche — John Shaqi
The Philosophy of Friedrich Nietzsche
Nietzsche · en
Toward the end of his life, when increasing illness made him helpless,
Nietzsche's faithful sister took the place of wife and mother in his
clouding world. She made a home for him and she sat by and watched
him. They talked for hours--Nietzsche propped up with pillows, his old
ruddiness faded into a deathly white, and his Niagara of a moustache
showing dark against his pallid skin. They talked of Naumburg and the
days of long ago and the fiery prophet of the superman became simple
Brother Fritz. We are apt to forget that a great man is thus not only
great, but also a man: that a philosopher, in a life time, spends less
hours pondering the destiny of the race than he gives over to wondering
if it will rain tomorrow and to meditating upon the toughness of
steaks, the dustiness of roads, the stuffiness of railway coaches and
the brigandage of gas companies.
Nietzsche's sister was the only human being that ever saw him
intimately, as a wife might have seen him. Her affection for him
was perfect and her influence over him perfect, too. Love and
understanding, faith and gentleness--these are the things which make
women the angels of joyous illusion. Lisbeth, the calm and trusting,
had all in boundless richness. There was, indeed, something noble,
and almost holy in the eagerness with which she sought her brother's
comfort and peace of mind during his days of stress and storm, and
magnified his virtues after he was gone.
[1] Thomas Common: "Nietzsche as Critic, Philosopher, Poet and
Prophet;" London, 1901, p. 54.
[2] "Degeneration;" Eng. tr.: New York, 1895; pp. 415-471.
NIETZSCHE THE PHILOSOPHER
I
DIONYSUS VERSUS APOLLO
In one of the preceding chapters Nietzsche's theory of Greek tragedy
was given in outline and its dependence upon the data of Schopenhauer's
philosophy was indicated. It is now in order to examine this theory
a bit more closely and to trace out its origin and development with
greater dwelling upon detail. In itself it is of interest only as a
step forward in the art of literary criticism, but in its influence
upon Nietzsche's ultimate inquiries it has colored, to a measurable
extent, the whole stream of modern thought.