The Twilight of the Idols; or, How to Philosophize with the Hammer. The Antichrist: Complete Works, Volume Sixteen — Nietzsche — John Shaqi
The Twilight of the Idols; or, How to Philosophize with the Hammer. The Antichrist: Complete Works, Volume Sixteen
Nietzsche · en
Let us examine another aspect of the question: it is not only obvious
that German culture is declining, but adequate reasons for this decline
are not lacking. After all, nobody can spend more than he has:—this
is true of individuals, it is also true of nations. If you spend
your strength in acquiring power, or in politics on a large scale,
or in economy, or in universal commerce, or in parliamentarism, or
in military interests—if you dissipate the modicum of reason, of
earnestness, of will, and of self-control that constitutes your nature
in one particular fashion, you cannot dissipate it in another. Culture
and the state—let no one be deceived on this point—are antagonists:
A “culture-state”[2] is merely a modern idea. The one lives upon
the other, the one flourishes at the expense of the other. All great
periods of culture have been periods of political decline; that which
is great from the standpoint of culture, was always unpolitical—even
anti-political. Goethe’s heart opened at the coming of Napoleon—it
closed at the thought of the “Wars of Liberation.” At the very moment
when Germany arose as a great power in the world of politics, France
won new importance as a force in the world of culture. Even at this
moment a large amount of fresh intellectual earnestness and passion
has emigrated to Paris; the question of pessimism, for instance,
and the question of Wagner; in France almost all psychological and
artistic questions are considered with incomparably more subtlety and
thoroughness than they are in Germany,—the Germans are even incapable
of this kind of earnestness. In the history of European culture the
rise of the Empire signifies, above all, a displacement of the centre
of gravity. Everywhere people are already aware of this: in things that
really matter—and these after all constitute culture,—the Germans
are no longer worth considering. I ask you, can you show me one single
man of brains who could be mentioned in the same breath with other
European thinkers, like your Goethe, your Hegel, your Heinrich Heine,
and your Schopenhauer?—The fact that there is no longer a single
German philosopher worth mentioning is an increasing wonder.
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