The Twilight of the Idols; or, How to Philosophize with the Hammer. The Antichrist: Complete Works, Volume Sixteen — Nietzsche — John Shaqi
The Twilight of the Idols; or, How to Philosophize with the Hammer. The Antichrist: Complete Works, Volume Sixteen
Nietzsche · en
This then is the main argument of the book and its conclusion; but, in
the course of the general elaboration of this argument, many important
side-issues are touched upon and developed, wherein Nietzsche reveals
himself as something very much more valuable than a mere iconoclast.
Of course, on every page of his philosophy,—whatever his enemies may
maintain to the contrary,—he never once ceases to construct, since he
is incessantly enumerating and emphasising those qualities and types
which he fain would rear, as against those he fain would see destroyed;
but it is in aphorism 57 of this book that Nietzsche makes the
plainest and most complete statement of his actual taste in Sociology,
and it is upon this aphorism that all his followers and disciples will
ultimately have to build, if Nietzscheism is ever to become something
more than a merely intellectual movement.
ANTHONY M. LUDOVICI.
PREFACE
To maintain a cheerful attitude of mind in the midst of a gloomy and
exceedingly responsible task, is no slight artistic feat. And yet, what
could be more necessary than cheerfulness? Nothing ever succeeds which
exuberant spirits have not helped to produce. Surplus power, alone,
is the proof of power.—A _transvaluation of all values,_—this note
of interrogation which is so black, so huge, that it casts a shadow
even upon him who affixes it,—is a task of such fatal import, that
he who undertakes it is compelled every now and then to rush out into
the sunlight in order to shake himself free from an earnestness that
becomes crushing, far too crushing. This end justifies every means,
every event on the road to it is a windfall. Above all _war._ War has
always been the great policy of all spirits who have penetrated too
far into themselves or who have grown too deep; a wound stimulates the
recuperative powers. For many years, a maxim, the origin of which I
withhold from learned curiosity, has been my motto:
_ increscunt animi, virescit volnere virtus._
At other times another means of recovery which is even more to my
taste, is to cross-examine idols. There are more idols than realities
in the world: this constitutes my “evil eye” for this world: it is
also my “evil ear.” To put questions in this quarter with a hammer, and
to hear perchance that well-known hollow sound which tells of blown-out
frogs,—what a joy this is for one who has ears even behind his ears,
for an old psychologist and Pied Piper like myself in whose presence
precisely that which would fain be silent, _must betray itself._