We Philologists: Complete Works of Friedrich Nietzsche, Volume 8 — Nietzsche — John Shaqi
We Philologists: Complete Works of Friedrich Nietzsche, Volume 8
Nietzsche · en
To overcome Greek antiquity through our own deeds: this would be the
right task. But before we can do this we must first _know_ it!--There is
a thoroughness which is merely an excuse for inaction. Let it be
recollected how much Goethe knew of antiquity: certainly not so much as
a philologist, and yet sufficient to contend with it in such a way as to
bring about fruitful results. One _should_ not even know more about a
thing than one could create. Moreover, the only time when we can
actually _recognise_ something is when we endeavour to _make_ it. Let
people but attempt to live after the manner of antiquity, and they will
at once come hundreds of miles nearer to antiquity than they can do with
all their erudition.--Our philologists never show that they strive to
emulate antiquity in any way, and thus _their_ antiquity remains without
any effect on the schools.
The study of the spirit of emulation (Renaissance, Goethe), and the
study of despair.
The non-popular element in the new culture of the Renaissance: a
frightful fact!
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The worship of classical antiquity, as it was to be seen in Italy, may
be interpreted as the only earnest, disinterested, and fecund worship
which has yet fallen to the lot of antiquity. It is a splendid example
of Don Quixotism; and philology at best is such Don Quixotism. Already
at the time of the Alexandrian savants, as with all the sophists of the
first and second centuries, the Atticists, &c., the scholars are
imitating something purely and simply chimerical and pursuing a world
that never existed. The same trait is seen throughout antiquity . the
manner in which the Homeric heroes were copied, and all the intercourse
held with the myths, show traces of it. Gradually all Greek antiquity
has become an object of Don Quixotism. It is impossible to understand
our modern world if we do not take into account the enormous influence
of the purely fantastic. This is now confronted by the principle . there
can be no imitation. Imitation, however, is merely an artistic
phenomenon, _i.e._, it is based on appearance . we can accept manners,
thoughts, and so on through imitation; but imitation can create nothing.
True, the creator can borrow from all sides and nourish himself in that
way. And it is only as creators that we shall be able to take anything
from the Greeks. But in what respect can philologists be said to be
creators! There must be a few dirty jobs, such as knackers' men, and
also text-revisers: are the philologists to carry out tasks of this
nature?
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