Plato and the Other Companions of Sokrates, 3rd ed. Volume 2 — Plato — John Shaqi
Plato and the Other Companions of Sokrates, 3rd ed. Volume 2
Plato · en
[Side-note: Condition of the inspired person--his reason is
for the time withdrawn.]
Here, as well as elsewhere, Plato places inspiration, both of the
prophet and the poet, in marked contrast with reason and
intelligence. Reason is supposed to be for the time withdrawn or
abolished, and inspiration is introduced by the Gods into its
place. "When Monarch Reason sleeps, this mimic wakes." The person
inspired (prophet or poet) becomes for the time the organ of an
extraneous agency, speaking what he neither originates nor
understands. The genuine gift of prophecy[24] (Plato says) attaches
only to a disabled, enfeebled, distempered, condition of the
intelligence; the gift of poetry is conferred by the Gods upon the
most inferior men, as we see by the case of Tynnichus--whose sublime
pæan shows us, that it is the Gods alone who utter fine poetry
through the organs of a person himself thoroughly incompetent.
[Footnote 24: Plato, Timæus, 71 E. [Greek: i(kano\n de\ sêmei=on ô(s
mantikê\n a)phrosu/nê| theo\s a)nthrôpi/nê| de/dôken; ou)dei\s ga\r
e)/nnous e)pha/ptetai mantikê=s e)nthe/ou kai\ a)lêthou=s, a)ll' ê)\
kath' u(/pnon tê\n tê=s phronê/seôs pedêthei\s du/namin, ê)\ dia\
no/son ê)/ tina e)nthousiasmo\n paralla/xas.]
Compare Plato, Menon, pp. 99-100. [Greek: oi( chrêsmô|doi/ te kai\
oi( theoma/nteis . . . . le/gousi me\n a)lêthê= kai\ polla\ i)/sasi de\
ou)de\n ô(=n le/gousi.] Compare Plato, Legg. iv. 719.]
[Side-note: Ion does not admit himself to be inspired and out
of his mind.]
It is thus that Plato, setting before himself a process of
systematised reason,--originating in a superior intellect, laying
down universal principles and deducing consequences from
them--capable of being consistently applied, designedly taught, and
defended against objections--enumerates the various mental conditions
opposed to it, and ranks inspiration as one of them. In this
dialogue, Sokrates seeks to prove that the success of Ion as a
rhapsode depends upon his being out of his mind or inspired. But Ion
does not accept the compliment: _Ion._--You speak well,
Sokrates; but I should be surprised if you spoke well enough to
create in me the new conviction, that I am possessed and mad when I
eulogize Homer. I do not think that you would even yourself say so,
if you heard me discourse on the subject.[25]
[Footnote 25: Plato, Ion, 536 E.]
[Side-note: Homer talks upon all subjects--Is Ion competent to
explain what Homer says upon all of them? Rhapsodic art. What is its
province?]