In reference to this dialogue, the dramatic contrast is very forcible, between the cross-examination carried on by Lachês, and that carried on by Sokrates. The former is pettish and impatient, bringing out no result, and accusing the respondent of cavil and disingenuousness: the latter takes up the same answer patiently, expands it into the full generality wrapped up in it, and renders palpable its inconsistency with previous admissions. APPENDIX. Ast is the only critic who declares the Lachês not to be Plato's work (Platon's Leben und Schr. pp. 451-456). He indeed even finds it difficult to imagine how Schleiermacher can accept it as genuine (p. 454). He justifies this opinion by numerous reasons--pointing out what he thinks glaring defects, absurdity, and bad taste, both in the ratiocination and in the dramatic handling, also _dicta_ alleged to be _un-Platonic_. Compare Schleiermacher's Einleitung zum Lachês, p. 324 seq. I do not concur with Ast in the estimation of those passages which serve as premisses to his conclusion. But even if I admitted his premisses, I still should not admit his conclusion. I should conclude that the dialogue was an inferior work of Plato, but I should conclude nothing beyond. Stallbaum (Prolegg. ad Lachet. p. 29-30, 2nd ed.) and Socher discover "adolescentiæ vestigia" in it, which are not apparent to me. Socher, Stallbaum, and K. F. Hermann pass lightly over the objections of Ast; and Steinhart (Einleit. p. 355) declares them to be unworthy of a serious answer. For my part, I draw from these dissensions among the Platonic critics a conviction of the uncertain evidence upon which all of them proceed. Each has his own belief as to what Plato _must_ say, _ought to_ say, and _could not_ have said; and each adjudicates thereupon with a degree of confidence which surprises me. The grounds upon which Ast rejects Lachês, Charmidês, and Lysis, though inconclusive, appear to me not more inconclusive than those on which he and other critics reject the Erastæ, Theagês. Hippias Major, Alkibiadês II., &c.