Plato and the Other Companions of Sokrates, 3rd ed. Volume 3 — Plato — John Shaqi
Plato and the Other Companions of Sokrates, 3rd ed. Volume 3
Plato · en
[Footnote 15: Plat. Sympos. p. 201 D. [Greek: gunaiko\s mantikê=s
Dioti/mas, ê( tau=ta/ te sophê\ ê)=n kai\ a)/lla polla/, kai\
A)thênai/ois pote\ thusame/nois pro\ tou= loimou= de/ka e)/tê
a)nabolê\n e)poi/êse tê=s no/sou, ê)\ dê\ kai\ e)me\ ta\ e)rôtika\
e)di/daxen.]
Instead of [Greek: gunaiko\s mantikê=s], which was the old
reading, Stallbaum and other editors prefer to write [Greek:
gunaiko\s Mantinikê=s], also 211 D. I cannot but think that
[Greek: mantikê=s] is right. There is no pertinence or fit
meaning in [Greek: Mantinikê=s], whereas the word [Greek:
mantikê=s] is in full keeping with what is said about the special
religious privileges and revelations of Diotima--that she procured
for the Athenians an adjournment of the plague for ten years. The
Delphian oracle assured the Lydian king Kroesus that Apollo had
obtained from the [Greek: Moi=rai] a postponement of the ruin of
the Lydian kingdom for three years, but that he could obtain from
them no more (Herodot. i. 91).]
[Side-note: Views of Eros presented by Phædrus, Pausanias,
Eryximachus, Aristophanes, Agathon.]
Both Phædrus[16] and Pausanias, in their respective encomiums upon
Eros, dwell upon that God as creating within the human bosom by
his inspirations the noblest self-denial and the most devoted
heroism, together with the strongest incentives to virtuous
behaviour. Pausanias however makes distinctions: recognising and
condemning various erotic manifestations as abusive, violent,
sensual--and supposing for these a separate inspiring Deity--Eros
Pandêmus, contrasted with the good and honourable Eros Uranius[17]
or Coelestis. In regard to the different views taken of Eros by
Eryximachus, Aristophanes, and Agathon--the first is medical,
physiological, cosmical[18]--the second is comic and imaginative,
even to exuberance--the third is poetical or dithyrambic:
immediately upon which follows the analytical and philosophical
exposition ascribed to Sokrates, opened in his dialectic manner by
a cross-examination of his predecessor, and proceeding to
enunciate the opinions communicated to him by the prophetess
Diotima.
[Footnote 16: Sydenham conceives and Boeckh (ad Plat. Legg. iii.
694) concurs with him, that this discourse, assigned to Phædrus,
is intended by Plato as an imitation of the style of Lysias. This
is sufficiently probable. The encomium on Eros delivered by
Agathon, especially the concluding part of it (p. 197), mimics the
style of florid effeminate poetry, overcharged with balanced
phrases ([Greek: i)so/kôla, a)nti/theta]), which Aristophanes
parodies in Agathon's name at the beginning of the
Thesmophoriazusæ, Athenæus, v. 187 C.]
[Footnote 17: Plato, Sympos. pp. 180-181.]