Such is the general tenor of the dialogue Phædrus, in its first half: which presents to us the Platonic love, conceived as the source and mainspring of exalted virtue--as the only avenue to philosophy--as contrasted, not merely with sensual love, but also with the sobriety of the decent citizen who fully conforms to the teaching of Law and Custom. In the Symposion, the first of these contrasts appears prominently, while the second is less noticed. In the Phædrus, Sokrates declares emphatically that madness, of a certain sort, is greatly preferable to sobriety: that the temperate, respectable, orthodox citizen, is on the middle line, some madmen being worse than he, but others better: that madness springing from human distemper is worse, but that when it springs from divine inspiration, it is in an equal degree better, than sobriety: that the philosophical _oestrus_, and the reminiscence of the eternal Ideas (considered by Plato as the only true and real Entia), is inconsistent with that which is esteemed as sobriety: and is generated only by special inoculation from Eros or some other God. This last contrast, as I have just observed, is little marked in the Symposion. But on the other hand, the Symposion (especially the discourse of Sokrates and his repetition of the lessons of Diotima), insists much more upon the generalisation of the erotic impulse. In the Phædrus, we still remain on the ground of fervent attachment between two individuals--an attachment sentimental and virtuous, displaying itself in an intercourse which elicits from both of them active intelligence and exalted modes of conduct: in the Symposion, such intercourse is assimilated explicitly to copulation with procreative consequences, but it is represented as the first stage of a passion which becomes more and more expanded and comprehensive: dropping all restriction to any single individual, and enlarging itself not merely to embrace pursuits, and institutions, but also to the plenitude and great ocean of Beauty in its largest sense. [Side-note: Elevating influence ascribed, both in Phædrus and Symposion, to Eros Philosophus. Mixture in the mind of Plato, of poetical fancy and religious mysticism, with dialectic theory.]