Platonism in English poetry of the sixteenth and seventeenth centuries
Plato · en
The explanation of the myriad changes of matter of the outward world of
sense after the manner of this account by Plato is found in Spenser’s
description of the “Garden of Adonis.” The term “garden of Adonis” is
found in Plato’s “Phædrus” (276), where is meant an earthen vessel in
which plants are nourished to quick growth only to decay as rapidly. On
this term Spenser’s imagination built its superstructure of fancy by
which the garden of Adonis became symbolic of the world of natural
phenomena described after the manner of Plato in the “Timæus” and
Plotinus in the “Enneads.” The garden is described at first as a
seminary of all living things, conceived first as flowers:
“In that same Gardin all the goodly flowres,
Wherewith dame Nature doth her beautifie,
And decks the girlonds of her paramoures,
Are fetcht: there is the first seminarie
Of all things, that are borne to live and die,
According to their kindes. Long worke it were,
Here to account the endlesse progenie
Of all the weedes, that bud and blossome there;
But so much as doth need, must needs be counted here.”
(III. vi. 30.)
Spenser’s imagination now changes, and he conceives of the objects in
this garden as naked babes, in accordance with the suggestion of the
intermediate nature which Plato conceived as a child. Genius as the
porter of the place is thus described:
“He letteth in, he letteth out to wend,
All that to come into the world desire;
A thousand thousand naked babes attend
About him day and night, which doe require,
That he with fleshly weedes would them attire:
Such as him list, such as eternal fate
Ordained hath, he clothes with sinfull mire,
And sendeth forth to live in mortall state,
Till they againe returne backe by the hinder gate.”
(III. vi. 32.)
Again there is a change, and the objects issuing from this garden are
forms which borrow their substance from the matter of chaos.
“Infinite shapes of creatures there are bred,
And uncouth formes, which none yet ever knew,
And every sort is in a sundry bed
Set by it selfe, and ranckt in comely rew
Some fit for reasonable soules t’ indew,
Some made for beasts, some made for birds to weare,
And all the fruitfull spawne of fishes hew
In endlesse rancks along enraunged were,
That seem’d the _Ocean_ could not containe them there.”
(III. vi. 35.)
When these forms are sent forth from the garden they take for their
substance the matter found in chaos which is ever eternal.