Platonism in English poetry of the sixteenth and seventeenth centuries — Plato — John Shaqi
Platonism in English poetry of the sixteenth and seventeenth centuries
Plato · en
“And sooth it seemes they say: for he may not
For ever die, and ever buried bee
In balefull night, where all things are forgot;
All be he subject to mortalitie,
Yet is eterne in mutabilitie,
And by succession made perpetuall,
Transformed oft, and chaunged diverslie:
For him the Father of all formes they call;
Therefore needs mote he live, that living gives to all.”
(III. vi. 46, 47.)
The attraction which this doctrine of the indestructibility of matter
had for Spenser lay in the comforting assurance which it brought him of
an eternity when things should be at rest. Throughout Spenser is heard a
note of world weariness.
“Nothing is sure, that growes on earthly ground.”
These words placed in the mouth of Arthur (I. ix. 11) are essentially
characteristic of Spenser’s outlook on the things of this world: they
are his _lacrimæ rerum_. The “Cantos of Mutabilitie” is the best
instance in point. These two cantos celebrate the overthrow of
Mutability by Nature. To the claim of preëminence among the gods which
Mutability lays before Nature, and which she bases upon the fact that
everything in the wide universe is subject to constant change, Dame
Nature replies that though they be subject to change, they change only
their outward state, each change working their perfection; and she
further remarks that the time will come when there shall be no more
change. At the end of Mutability’s plea Dame Nature thus answers the
charge:
“I well consider all that ye have sayd,
And find that all things stedfastnes doe hate
And changed be: yet being rightly wayd
They are not changed from their first estate;
But by their change their being doe dilate:
And turning to themselves at length againe,
Doe worke their owne perfection so by fate:
Then over them Change doth not rule and raigne;
But they raigne over change, and doe their states maintaine.
“Cease therefore daughter further to aspire,
And thee content thus to be rul’d by me:
For thy decay thou seekst by thy desire;
But time shall come that all shall changed bee,
And from thenceforth, none no more change shall see.”
(VII. vii. 58, 59.)
On this decision of Nature Spenser bases his assurance of a time when
the soul shall have its final rest. With a prayer to the great God of
Sabaoth that he may see the time when all things shall rest in Him,
Spenser closes his work on his great unfinished poem—the “Faerie
Queene.”