Platonism in English poetry of the sixteenth and seventeenth centuries — Plato — John Shaqi
Platonism in English poetry of the sixteenth and seventeenth centuries
Plato · en
“Tell me ye merchants daughters did ye see
So fayre a creature in your towne before,
So sweet, so lovely, and so mild as she,
Adornd with beautyes grace and vertues store,
Her goodly eyes lyke Saphyres shining bright,
Her forehead yvory white,
Her cheekes lyke apples which the sun hath rudded,
Her lips lyke cherryes charming men to byte,
Her brest lyke to a bowle of creame uncrudded,
Her paps lyke lyllies budded,
Her snowie necke lyke to a marble towre,
And all her body like a pallace fayre,
Ascending uppe with many a stately stayre,
To honors seat and chastities sweet bowre.
Why stand ye still ye virgins in amaze,
Upon her so to gaze,
Whiles ye forget your former lay to sing,
To which the woods did answer and your eccho ring?”
“But if ye saw that which no eyes can see,
The inward beauty of her lively spright,
Garnisht with heavenly guifts of high degree,
Much more then would ye wonder at that sight,
And stand astonisht lyke to those which red
Medusaes mazefull hed.
There dwels sweet love and constant chastity,
Unspotted fayth and comely womanhood,
Regard of honour and mild modesty,
There vertue raynes as Queene in royal throne,
And giveth lawes alone.
The which the base affections doe obay,
And yeeld theyr services unto her will,
Ne thought of things uncomely ever may
Thereto approch to tempt her mind to ill.
Had ye once seene these her celestial threasures,
And unrevealed pleasures,
Then would ye wonder and her prayses sing,
That al the woods should answer and your echo ring.”
(ll. 167–203.)
In the “Faerie Queene” there is a less elaborate example of this same
appreciation of the inward, unseen beauty of the soul. The contrast is
set up between the lively portrait of the Faerie Queene on Guyon’s
shield and the actual beauty of her person, and then extended to a
comparison of this with the beauty of her mind. Arthur has asked Guyon
who is the original of the portrait he bears on his shield and has
chanced to notice its great liveliness. Guyon does not answer directly,
but breaks out into praise of the Queen’s beauty. If a mere likeness
appeals so strongly to Arthur, what must he think when he beholds the
glorious original; and though this is fair, the beauty of her mind, if
he but knew it, would arouse great wonder and pour infinite desire into
his soul.