Platonism in English poetry of the sixteenth and seventeenth centuries — Plato — John Shaqi
Platonism in English poetry of the sixteenth and seventeenth centuries
Plato · en
“A thousand fantasies
Begin to throng into my memory,
Of calling shapes, and beckoning shadows dire,
And airy tongues that syllable men’s names
On sands and shores and desert wildernesses.”
(ll. 205–209.)
When Comus, then, begins to practise the more dangerous art of this
witchery, acting in accordance with his confession of his manner,—
“under fair pretence of friendly ends,
And well-placed words of glozing courtesy,
Baited with reasons not unplausible,”—
(ll. 160–162.)
she responds to the attack with an account of the great power of
chastity. Only because she sees that he is trying to deceive her
judgment does she deign to answer him.
“I had not thought to have unlocked my lips
In this unhallowed air, but that this juggler
Would think to charm my judgment, as mine eyes,
Obtruding false rules pranked in reason’s garb.”
(ll. 756–759.)
She then intimates the power which the doctrine of chastity has to
overcome Comus, and states that, should she attempt to unfold it, the
enthusiasm of her soul would be such as to overwhelm him and his magic
structures.
“Enjoy your dear wit, and gay rhetoric,
That hath so well been taught her dazzling fence;
Thou art not fit to hear thyself convinced.
Yet, should I try, the uncontrollèd worth
Of this pure cause would kindle my rapt spirits
To such a flame of sacred vehemence
That dumb things would be moved to sympathize,
And the brute Earth would lend her nerves, and shake,
Till all thy magic structures, reared so high,
Were shattered into heaps o’er thy false head.”
(ll. 790–799.)
This vehemence of moral enthusiasm in Milton is due to the conception of
chastity as an “abstracted sublimity.” He learned it, he says, in his
study of Platonic philosophy; but the teaching of it as a positive
doctrine applied to human conduct is his own contribution, and strikes
the characteristic note of his idealism. In Plato he found only the
suggestion of this teaching. It lay in that idea of the “Phædo,” already
explained, of the destruction of the soul’s purity through sense
knowledge. Milton’s imagination, working upon this idea, transformed it
in a way peculiar to himself alone. The pure soul, according to his
belief, has power in itself to change the body to its own pure essence.
The conversion of body to soul, however, is not a tenet of Platonic
philosophy in any phase. It was the working in Milton of that tendency,
visible throughout the poetry of the seventeenth century, to assert the
primacy of the soul in life—an attempt which was made by the
metaphysical poets especially in their treatment of love.