1. The constant appeal to the authority of Homer, whom, with grave irony, Plato, after the manner of his age, summons as a {xlix} witness about ethics and psychology, as well as about diet and medicine; attempting to distinguish the better lesson from the worse (390), sometimes altering the text from design (388, and, perhaps, 389); more than once quoting or alluding to Homer inaccurately (391, 406), after the manner of the early logographers turning the Iliad into prose (393), and delighting to draw far-fetched inferences from his words, or to make ludicrous applications of them. He does not, like Heracleitus, get into a rage with Homer and Archilochus (Heracl. Frag. 119, ed. Bywater), but uses their words and expressions as vehicles of a higher truth; not on a system like Theagenes of Rhegium or Metrodorus, or in later times the Stoics, but as fancy may dictate. And the conclusions drawn from them are sound, although the premises are fictitious. These fanciful appeals to Homer add a charm to Plato's style, and at the same time they have the effect of a satire on the follies of Homeric interpretation. To us (and probably to himself), although they take the form of arguments, they are really figures of speech. They may be compared with modern citations from Scripture, which have often a great rhetorical power even when the original meaning of the words is entirely lost sight of. The real, like the Platonic Socrates, as we gather from the Memorabilia of Xenophon, was fond of making similar adaptations (i. 2, 58; ii. 6, 11). Great in all ages and countries, in religion as well as in law and literature, has been the art of interpretation.