The six books of Proclus, the Platonic successor, on the theology of Plato (vol. 2 of 2) : $b translated from the Greek, to which a seventh book is added, in order to supply the deficiency of another book on this subject, which was written by Proclus, but since lost, also, a translation from the Greek of Proclus' Elements of theology, to which are added a translation of the treatise of Proclus, On providence and fate, a translation of extracts from his treatise, entitled, Ten doubts concerning p
Plato · en
In the fable likewise in the Phædrus about the grasshoppers Plato
speaks of the four Muses, Terpsichore, Erato, Calliope, and Urania,
as follows: “It is said the race of the grasshoppers received this
gift from the Muses, that they should never want nutriment, but should
continue singing without meat or drink till they died; and that after
death they should depart to the Muses, and inform them what Muse was
honoured by some particular person among us. Hence that by acquainting
Terpsichore with those who reverence her in the dance, they render her
propitious to such. By informing Erato of her votaries, they render
her favourable in amatory concerns; and the rest in a similar manner,
according to the species of veneration belonging to each. But that
they announce to the most ancient Calliope, and after her to Urania,
those who have lived in the exercise of philosophy, and have cultivated
the music over which they preside; these Muses more than all the rest
being conversant with the heavens, and with both divine and human
discourse; and sending forth the most beautiful voice.”
On what Plato here says of these Muses, Hermeas in his MS. Commentary
On the Phædrus, makes the following beautiful remarks: “Dancing here
must not be understood literally, as if Terpsichore was propitious
to those who engage in that kind of dancing which is the object of
sense; for this would be ridiculous. We must say therefore, that there
are divine dances; in the first place, the dance of the Gods; and
in the second place, that of divine souls. In the third place, the
revolution of the celestial divinities, viz. of the seven planets, and
the inerratic sphere, is called a dance. In the fourth place, those
who are initiated in the mysteries perform a certain dance. And in the
last place, the whole life of a philosopher is a dance. Who then are
those that honour the Goddess in the dance? Not those who dance well,
but those who live well through the whole of the present existence,
elegantly arranging their life, and dancing in symphony with the
universe. Again, Erato is denominated from Love, and from making the
works of Love, lovely; for she co-operates with Love. But Calliope
is denominated from the eye; and Urania presides over astronomy.
Through these two Goddesses we preserve our rational part from being
in subjection to the irrational nature. For through sight surveying
the order of the celestial Gods, we properly arrange our irrational
part. And farther still, through rythms, philosophy, and hearing, we
elegantly dispose that which we contain of the disorderly and void of
rythm.”
CHAPTER XIX.