This would lead me insensibly to make some queries into the true composition of the lyric drama, but there would be too prolix to be compressed in this letter; I have therefore written a little dissertation on that subject, which you will find inclosed, and may communicate to Regianino. I shall only add, with respect to the French opera, that the greatest fault I observed in it is a false taste for magnificence; whence they attempt to represent the marvellous, which, being only the object of imagination, is introduced with as much propriety in an epic poem, as it is ridiculously attempted on the stage. I should hardly have believed, had not I seen it, that there could be found artists weak enough to attempt an imitation of the chariot of the sun, or spectators so childish as to go to see it. Bruyere could not conceive how so fine a sight as the opera could be tiresome. For my part, who am no Bruyere, I can conceive it very well, and will maintain, that to every man who has a true taste for the fine arts, the French music, their dancing, and the marvellous of their scenery put together, compose the most tiresome representation in the world. After all, perhaps the French do not deserve a more perfect entertainment, especially with respect to the performance not because they want ability to judge of what is good, but because the bad pleases them better. For, as they had rather censure than applaud, the pleasure of criticizing compensates for every defect, and they had rather laugh after they get home, than be pleased with the piece during the representation. Letter LXXXIX. From Eloisa. Yes, I see it well: Eloisa is still happy in your love, the same fire that once sparkled in your eyes, glows throughout your last letter, and kindles all the ardour of mine. Yes, my friend, in vain doth fortune separate us; let our hearts press forward to each other, let us preserve by such a communication, their natural warmth against the chilling coldness of absence and despair; and let every thing that tends to loosen the ties of our affections, serve only to draw them closer and bind them fast. You will smile at my simplicity, when I tell you, that since the receipt of your letter, I have experienced something of those charming effects therein mentioned, and that the jest of the talisman, although purely my own invention, is turned upon myself and become serious. I am seized a hundred times a day, when alone, with a fit of trembling, as if you were before me. I imagine you are gazing on my portrait, and am foolish enough to feel, in conceit, the warmth of those embraces, the impression of those kisses you bestow on it. Sweet illusion! charming effects of fancy; the last resources of the unhappy. Oh, if it be possible, be ye to us a pleasing reality! ye are yet something to those who are deprived of real happiness.