It was late when we parted. I would have taken him to supper at Madam d' Epinay's, but he refused to go; and, notwithstanding all the efforts which at different times the desire of uniting those I love induced me to make, to prevail upon him to see her, even that of conducting her to his door which he kept shut against us, he constantly refused to do it, and never spoke of her but with the utmost contempt. It was not until after I had quarrelled with both that they became acquainted and that he began to speak honorably of her. From this time Diderot and Grimm seemed to have undertaken to alienate from me the governesses, by giving them to understand that if they were not in easy circumstances the fault was my own, and that they never would be so with me. They endeavored to prevail on them to leave me, promising them the privilege for retailing salt, a snuff shop, and I know not what other advantages by means of the influence of Madam d' Epinay. They likewise wished to gain over Duclos and d'Holback, but the former constantly refused their proposals. I had at the time some intimation of what was going forward, but I was not fully acquainted with the whole until long afterwards; and I frequently had reason to lament the effects of the blind and indiscreet zeal of my friends, who, in my ill state of health, striving to reduce me to the most melancholy solitude, endeavored, as they imagined, to render me happy by the means which, of all others, were the most proper to make me miserable. In the carnival following the conclusion of the year 1753, the Devin was performed at Paris, and in this interval I had sufficient time to compose the overture and divertissement. This divertissement, such as it stands engraved, was to be in action from the beginning to the end, and in a continued subject, which in my opinion, afforded very agreeable representations. But when I proposed this idea at the opera-house, nobody would so much as hearken to me, and I was obliged to tack together music and dances in the usual manner: on this account the divertissement, although full of charming ideas which do not diminish the beauty of scenes, succeeded but very middlingly. I suppressed the recitative of Jelyotte, and substituted my own, such as I had first composed it, and as it is now engraved; and this recitative a little after the French manner, I confess, drawled out, instead of pronounced by the actors, far from shocking the ears of any person, equally succeeded with the airs, and seemed in the judgment of the public to possess as much musical merit. I dedicated my piece to Duclos, who had given it his protection, and declared it should be my only dedication. I have, however, with his consent, written a second; but he must have thought himself more honored by the exception, than if I had not written a dedication to any person.