Whilst the performance of the 'Devin du Village' was continued at the opera-house, the author of it had an advantageous negotiation with the managers of the French comedy. Not having, during seven or eight years, been able to get my 'Narcissis' performed at the Italian theatre, I had, by the bad performance in French of the actors, become disgusted with it, and should rather have had my piece received at the French theatre than by them. I mentioned this to La None, the comedian, with whom I had become acquainted, and who, as everybody knows, was a man of merit and an author. He was pleased with the piece, and promised to get it performed without suffering the name of the author to be known; and in the meantime procured me the freedom of the theatre, which was extremely agreeable to me, for I always preferred it to the two others. The piece was favorably received, and without the author's name being mentioned; but I have reason to believe it was known to the actors and actresses, and many other persons. Mademoiselles Gauffin and Grandval played the amorous parts; and although the whole performance was, in my opinion, injudicious, the piece could not be said to be absolutely ill played. The indulgence of the public, for which I felt gratitude, surprised me; the audience had the patience to listen to it from the beginning to the end, and to permit a second representation without showing the least sign of disapprobation. For my part, I was so wearied with the first, that I could not hold out to the end; and the moment I left the theatre, I went into the Cafe de Procope, where I found Boissi, and others of my acquaintance, who had probably been as much fatigued as myself. I there humbly or haughtily avowed myself the author of the piece, judging it as everybody else had done. This public avowal of an author of a piece which had not succeeded, was much admired, and was by no means painful to myself. My self-love was flattered by the courage with which I made it: and I am of opinion, that, on this occasion, there was more pride in speaking, than there would have been foolish shame in being silent. However, as it was certain the piece, although insipid in the performance would bear to be read, I had it printed: and in the preface, which is one of the best things I ever wrote, I began to make my principles more public than I had before done. I soon had an opportunity to explain them entirely in a work of the greatest importance: for it was, I think, this year, 1753, that the programma of the Academy of Dijon upon the 'Origin of the Inequality of Mankind' made its appearance. Struck with this great question, I was surprised the academy had dared to propose it: but since it had shown sufficient courage to do it, I thought I might venture to treat it, and immediately undertook the discussion.