The Confessions of Jean Jacques Rousseau — Volume 11 — Jean-Jacques Rousseau — John Shaqi
The Confessions of Jean Jacques Rousseau — Volume 11
Jean-Jacques Rousseau · en
was impossible for me to conceal from him my disdain, nor from anybody
the moderate opinion I had of the favorite; this I am sure she knew, and
thus my own interest was added to my natural inclination in the wishes I
formed for M. de Choiseul. Having a great esteem for his talents, which
was all I knew of him, full of gratitude for his kind intentions, and
moreover unacquainted in my retirement with his taste and manner of
living, I already considered him as the avenger of the public and myself;
and being at that time writing the conclusion of my Social Contract,
I stated in it, in a single passage, what I thought of preceding
ministers, and of him by whom they began to be eclipsed. On this
occasion I acted contrary to my most constant maxim; and besides, I did
not recollect that, in bestowing praise and strongly censuring in the
same article, without naming the persons, the language must be so
appropriated to those to whom it is applicable, that the most ticklish
pride cannot find in it the least thing equivocal. I was in this respect
in such an imprudent security, that I never once thought it was possible
any one should make a false application. It will soon appear whether or
not I was right.
One of my misfortunes was always to be connected with some female author.
This I thought I might avoid amongst the great. I was deceived; it still
pursued me. Madam de Luxembourg was not, however; at least that I know
of, attacked with the mania of writing; but Madam de Boufflers was. She
wrote a tragedy in prose, which, in the first place, was read, handed
about, and highly spoken of in the society of the Prince Conti, and upon
which, not satisfied with the encomiums she received, she would
absolutely consult me for the purpose of having mine. This she obtained,
but with that moderation which the work deserved. She besides had with
it the information I thought it my duty to give her, that her piece,
entitled 'L'Esclave Genereux', greatly resembled the English tragedy of
'Oroonoko', but little known in France, although translated into the
French language. Madam de Bouffiers thanked me for the remark, but,
however, assured me there was not the least resemblance between her piece
and the other. I never spoke of the plagiarisms except to herself, and I
did it to discharge a duty she had imposed on me; but this has not since
prevented me from frequently recollecting the consequences of the
sincerity of Gil Blas to the preaching archbishop.