Signor Brumidi was also employed by the Government in Rome, together with other distinguished artists, to prepare the chronology of the Popes, in the new Basilica of St. Paul, and was allowed to finish his work after the revolution, notwithstanding that he was persecuted for the part which he took in that movement. The Republican Government of Rome honored Signor Brumidi with an important commission as he was much esteemed for his talent and personal qualities. I am glad, myself, that he has already executed some works at the Capitol. They speak for themselves to those who have taste for the fine arts. GUGLIELMO GAJANI In the Architect’s Report for 1859 we find this reference to the detrimental influence of the Artist’s Memorial: “The action of Congress in restricting the expenditure for painting and sculpture to the completion of the painting of rooms in the North Wing already partly done ... and to such paintings and sculpture as shall have been approved, first, by a committee of three American artists, to be appointed by the President and then by the Library Committee of Congress, has prevented the commencement of any new works.” It seems certain, however, that Brumidi was not often continuously employed on any one picture. As shown by his vouchers, if work was held up in one direction he could easily employ himself in another. For example, he began work in the Senate Library in 1858 and the Architect of the Capitol records [Illustration: ALEXANDER HAMILTON This portrait of Alexander Hamilton is one of the five color representations of Washington’s Cabinet, painted by Brumidi on the walls of the President’s Room. The color and design of the frame and panel are equally as beautiful as those surrounding the portrait of Jefferson in the color section of this book. The portrait of George Washington high above those of his Cabinet evidently was done with that of Rembrandt Peale in mind. All others are thought to be Brumidi’s own conceptions.] the finish of the Senate Library ceiling in 1875. But during those years the 4,664 square feet of fresco in the Canopy of the Dome was finished as well as the President’s Room and many committee room frescoes and hall decorations in the Senate Annex. References in Reports and letters usually give the finishing date of the fresco while the beginning date is seldom mentioned. CAPITOL DOME The huge fresco on the canopy of the Dome of the Capitol Building is signed “C. Brumidi, 1865.” In the Annual Report dated November 1, 1863, of Thomas Walter, Architect of the Capitol (1851-1865), we find this reference to the Dome canopy: “The cartoons for the picture on the canopy over the eye of the inner dome are being prepared, and its execution will be commenced as soon as the iron work which is to receive it can be put in place.”