The Festival of Spring, from the Díván of Jeláleddín: Rendered in English Gazels after Rückert's Versions, with an Introduction and a Criticism of the Rubáiyát of Omar Khayyám — Rumi — John Shaqi
The Festival of Spring, from the Díván of Jeláleddín: Rendered in English Gazels after Rückert's Versions, with an Introduction and a Criticism of the Rubáiyát of Omar Khayyám
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Rückert's example and encouragement have not been ineffective in German
Literature. Besides his own original Gazels addressed to his
distinguished teacher Von Hammer, Platen with a poetic versatility and
elegance of form scarcely inferior to his own, Paul Heyse, and others
have written excellent German Gazels, and the form is now quite
naturalised in German Literature. But it is still practically an exotic
in the domain of English verse. One of the first and best regular Gazels
in English known to the writer, was done into English rhyme by
Archbishop Trench, who represents it as by DSCHELALEDDIN (_sic_), but it
is really only an imitation of one of Rückert's Versions. Some of the
recent translators of Hafiz—especially Mr. H. Bicknell—have given
elegant translations of some of his Gazels, in proper form.[21] Mr.
Nicholson, notwithstanding his disbelief in the adequacy of English
verse-renderings, has given two exemplary specimens in an Appendix. The
Fifty Gazels here presented in English have been all done after
Rückert's versions, of which they are really renderings—as indicated on
the Title Page. Even when the translator felt tempted to conform more
literally in some minor details to the Persian original, or fancied he
could do so, he invariably returned to Rückert's form, his admiration
for Rückert's judgment and art having overcome all hesitation. To
Rückert, then, belongs any merit found in these free imitations of
Jeláleddín; to the translator must be attributed any defect in his
attempt to follow, always _longo intervallo_, the traces of the
footsteps of these two great Masters. Rückert alone has been able to do
justice to the poetic form and thought of Jeláleddín, and it may be
deemed as daring to try to imitate Rückert as to copy the Original
itself. But the attempt, even where it fails, will be most readily
forgiven by the Persian scholars who best know the difficulties that
have to be overcome on both sides. What is here presented is but a
slight endeavour to popularise, after a holiday excursion into
long-loved fields, their own much more important work, and mayhap to win
a wider, well-deserved interest for it. The child who strays through the
Flower Garden, will, as by irresistible impulse, pluck some of its
fairest blossoms here and there, and if twined together and offered to
the strong hand that cultivated and reared them, they will hardly fail
to be recognised as an offering of gratitude and affection, and to be
accepted with a kindly, indulgent smile.