The Festival of Spring, from the Díván of Jeláleddín: Rendered in English Gazels after Rückert's Versions, with an Introduction and a Criticism of the Rubáiyát of Omar Khayyám — Rumi — John Shaqi
The Festival of Spring, from the Díván of Jeláleddín: Rendered in English Gazels after Rückert's Versions, with an Introduction and a Criticism of the Rubáiyát of Omar Khayyám
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[13] Hegel's Werke, X, 473. For Hegel's view of the character of the
Persian Lyrical Poetry, see note _B_. M. Bénard's French Translation,
which has been much praised, gives the passage quoted above, only in a
summary form, and in it the reference to Rückert is entirely left out.
He too, like so many other translators, has the happy knack of slipping
over a troublesome phrase at times, while gracefully flourishing an
elegant sentence before the delighted eyes of his guileless Reader!
[14] Ssufismus sive Theosophia Persarum Pantheistica quam ex MSS.
Persicis, Arabicis, Turcicis, fruit atque illustravit F. A. G. Tholuck.
1821.
[15] Blüthensammlung aus der Morgenländischen Mystik, nebst einer
Einleitung über Mystik überhaupt und Morgenländische insbesondere. Von
F. A. G. Tholuck, Professor zu Berlin. 1825.
[16] Werke, x. 468.
[17] Specimen Poeseos Persicae. Vienna, 1771.
[18] A specimen of Persian Poetry, or Odes of Hafez: with an English
Translation and Paraphrase ... chiefly from Baron Revizky. By John
Richardson, F.S.A., 1774. 2nd Ed. by Rousseau, 1802.
[19] Grammatik, Poetik und Rhetorik der Perser. Nach dem siebenten
Bande des Heft Kolzum, Dargestellt von Friedrich Rückert. Neu
herausgegeben von W. Pertsch, 1874, p. 57.
[20] A History of Ottoman Poetry, 1900, p. 80. See also Mr. Gibb's
Ottoman Poems, 1882, p. xxxvi. Both contain excellent Gazels.
[21] Hafiz of Shiraz: Selections from his Poems by H. Bicknell. 1875.
[22] E. G. Browne, _Op. cit._ p. 399.
[23] If anyone is inclined to think anything in this criticism—which
has been much curtailed—too severe, let him or her turn to Von Hammer's
Account of Omar Khayyám in Note C and following Remarks.
Gazels of Jeláleddín
Done into English
'Why heed the Critics who delight to dart
Their sneer-tipped arrows at translator's art?
The poet's work remains his own at last
Though it in other languages be cast.
And in the sky of Fame it still will shine,
By that which made it at the first divine.
But in this foreign dress some soul may see
A hint of that which fascinated me;
Some deep impression be still deeper made
When by our muse-beloved tongue conveyed;
Some beauty be with newer beauty set;
Some thought that will with fresh emotion fret
Some gentle breast, or with strange music sweep
O'er heaving waters of the spirit's deep.'
EDWARD ROBESON TAYLOR of San Francisco.
Light
I.