The chief obstacle I have encountered in translating these Essays, did not therefore consist in the obscurity of the Author's style, nor even in the difficulty of finding appropriate terms wherewith to convey his meaning; although at times certainly the want of complete precision in our philosophical terminology made itself keenly felt and the selection was often far from easy: it lay rather in the great difference in the way of thinking and of expressing their thoughts which lies between the two nations. The regions of German and English thought are indeed separated by a gulf, which at first seems impassable, yet which must be bridged over by some means or other, if a right comprehension is to be achieved. The German writer loves to develop synthetically a single thought in a long period consisting of various members; he proceeds steadily to unravel the seemingly tangled skein, while he keeps the reader ever on the alert, making him assist actively in the process and never letting him lose sight of the main thread. The English author, on the contrary, anxious before all things to avoid confusion and misunderstanding, and ready for this end not only to sacrifice harmony of proportion in construction, but to submit to the necessity of occasional artificial joining, usually adopts the analytical method. He prefers to divide the thread of his discourse into several smaller skeins, easier certainly to handle and thus better suiting the convenience of the English thinker, to whom long periods are trying and bewildering, and who is not always willing to wait half a page or more for the point of a sentence or the gist of a thought. Wherever it could be done without interfering seriously with the spirit of the original, I have broken up the longer periods in these essays into smaller sentences, in order to facilitate their comprehension. At times however Schopenhauer recapitulates a whole side of his view of the Universe in a single period of what seems intolerable length to the English reader: as, for instance, the _résumé_ contained in the Introduction to his "Will in Nature,"[3] which could not be divided without damage to his meaning. Here therefore it did not seem advisable to sacrifice the unity and harmony of his design and to disturb both his form and his meaning, in order to minister to the reader's dislike for mental exertion; in keeping the period intact I have however endeavoured to make it as easy to comprehend as possible by the way in which the single parts are presented to the eye. [3] Pp. 2 and 3 of the original, and pp. 216 to 218 of the present translation.