The Essays of Arthur Schopenhauer; the Art of Controversy — Schopenhauer — John Shaqi
The Essays of Arthur Schopenhauer; the Art of Controversy
Schopenhauer · en
In talking of philosophy, I admitted that my system upheld the
Quietists, and commended them. Shortly afterwards the conversation
turned upon Hegel, and I maintained that his writings were mostly
nonsense; or, at any rate, that there were many passages in them where
the author wrote the words, and it was left to the reader to find a
meaning for them. My opponent did not attempt to refute this assertion
_ad rem_, but contented himself by advancing the _argumentum ad
hominem_, and telling me that I had just been praising the Quietists,
and that they had written a good deal of nonsense too.
This I admitted; but, by way of correcting him, I said that I had
praised the Quietists, not as philosophers and writers, that is to
say, for their achievements in the sphere of _theory_, but only as
men, and for their conduct in mere matters of _practice_; and that in
Hegel's case we were talking of theories. In this way I parried the
attack.
The first three tricks are of a kindred character. They have this
in common, that something different is attacked from that which was
asserted. It would therefore be an _ignoratio elenchi_ to allow
oneself to be disposed of in such a manner.
For in all the examples that I have given, what the opponent says is
true, but it stands in apparent and not in real contradiction with the
thesis. All that the man whom he is attacking has to do is to deny the
validity of his syllogism; to deny, namely, the conclusion which he
draws, that because his proposition is true, ours is false. In this
way his refutation is itself directly refuted by a denial of his
conclusion, _per negationem consequentiae_. Another trick is to refuse
to admit true premisses because of a foreseen conclusion. There are
two ways of defeating it, incorporated in the next two sections.
IV.
If you want to draw a conclusion, you must not let it be foreseen, but
you must get the premisses admitted one by one, unobserved, mingling
them here and there in your talk; otherwise, your opponent will
attempt all sorts of chicanery. Or, if it is doubtful whether your
opponent will admit them, you must advance the premisses of these
premisses; that is to say, you must draw up pro-syllogisms, and get
the premisses of several of them admitted in no definite order.
In this way you conceal your game until you have obtained all the
admissions that are necessary, and so reach your goal by making a
circuit. These rules are given by Aristotle in his _Topica_, bk.
viii., c. 1. It is a trick which needs no illustration.
V.